
Another forgotten one, Finnpoe winter morning aesthetic .
a finnrey poem:
do you love him?
he holds your hand,
like it’s his last lifeline-
you pull him in like you are
do you love him?
he looks at you,
with stars in his eyes-
you stare back with galaxies
do you love him?
he pours out his heart to you,
like its overflowing-
you let it fill you up
do you love him?
he comes back for you,
like you’re his-
you hold him like he’s yours
do you love him?
he fights for you,
like no one else has-
you destroy for him like no one else will
do you love him?
he misses you,
like you’re a part of him-
you feel like you’re missing without him
do you love him?
he runs to you,
like he’s coming home-
you finally feel like you are(you do
you do
you do
a thousand times,
you do)
Let’s talk about it. So before we even saw the short, we knew the story featured an Asian woman whose children had left the nest. And as you watch the short, you pick up that this woman is likely to be a first generation immigrant.
When we meet Bao, we hear baby gurgles and giggles, so the audience knows that we basically just witnessed a birth. And as we see Bao grow more and more, we witness the immense care and affection the woman puts into caring for Bao, establishing that it is her “child”. However, with the care and affection, also comes an extreme protection, in which she attempts to keep it by her side at all times, away from soccer – and most importantly– away from non-Asians. As an Asian-American who was brought over at a young age, this is incredibly familiar behavior. Our first generation parents love us AND their home, and they try to instill that same dedication to our native culture, despite what our individual interests may be. This can cause a rift between the two figures, the Asian parent and the Asian-American child. One wants to keep the other close and safe, away from the unfamiliar, while the other, unaware of the dangers of unfamiliarity, wants to learn and explore. This rift grows as the two continue to pursue their goals.
Eventually, it comes to the climax. Bao comes home with a non-Asian fiancé and it’s leaving home. Unequipped to cope, the woman eats Bao. This scene hit me the hardest. Instantly after eating Bao, the woman regrets it. My interpretation? She realizes that in trying to protect Bao by keeping him home against his will, she destroys it. Kills it, really. But wait!
A new character appears: Bao, but human and grown. We can connect the dots that THIS is the child who left the nest, and what we witnessed was this man’s youth leading up to his departure from home. So we can start piecing things together. Bao from the start, has always represented this guy. And the woman had wondered “how could I have kept him with me?” And through reliving her motherhood with Bao, she realizes she couldn’t. Her child wasn’t going to live life the same way she does, in her ethnic enclave, and she forcing him to do so would have destroyed him. She realizes she has to meet him halfway, thanks to him taking the first step of coming home. So the sharing of the bao making process with her son and his wife is the Asian parent reconciling her son’s Asian-American identity with her own Asian identity.TL;DR As an Asian-American, seeing the struggles of cultural reproduction vs. cultural assimilation and its relationship with immigrant parenthood on the big screen induced tears, and I’m not ashamed.

I, of course, had to do Finn. I took a lot of inspiration from Mandalorian armor, particularly Jango Fett and Canderous Ordo. His boots are more like stormtroopers’ and his pauldrons are like death troopers’, but it’s mostly different from a stormtrooper, since your version of the First Order would probably want to fly under the radar, at least at first, in terms of its ties to the Empire. Finn’s belt is where I gave most of his character. Twin blasters in case his smg malfunctions. A vibro-axe for fighting melee users honorably. A tooth from a nexu he once fought hand-to-hand while on a trial in a jungle. And a toy bantha that he liberated from a pirate, and secretly hopes to reunite with its Jawa child owner. If anyone asks, it’s a souvenir.
(Moth)

Summer Finn Week #1: Oceans
Finn was born on a world of water. He has dim memories of the soft grit of sand beneath his feet and a sense of awe when the water roared and then gentled. He can’t remember his family or anything else about his planet, but he remembers the cool embrace of the waves when someone – his mother perhaps – carried him out into the shallows and held tightly to his hand while he squished wet sand between his toes and laughed at waves that slapped gently at his chin.
Finn was born on a world of water, somewhere in the vast galaxy. And someday, he will return.
Happy 100th Finnrey Friday! I was a quiet observer from its start and now am happy to say that I try to regularly contribute. This week, I have a post-TLJ, Force-sensitive Finn one-shot that was inspired by the theme: treasure. Warning that this week’s fic features Finn and Rey acting like dumb kids falling in love for the first time.
After weeks of mulling over what to do about lightsabers, Rey finally admitted that she and Finn would have to go find kyber crystals themselves. The crystal in the old Skywalker lightsaber was miraculously still intact and could be used in a new hilt, but that was only one crystal and they needed two.
That crystal seemed to have selected Rey as its master and Finn was fine with that. The lightsaber had called to her from the start, after all. To be honest, Finn liked the idea of creating something himself with a crystal that chose him and no one else.
But that was the first big hurdle. Finding kyber crystals was no easy task. The Empire had ransacked temples and mined crystal worlds to the core. The First Order, likewise, had done something similar. Starkiller was fueled by kyber and a sun, but the world’s core had been filled with untouched kyber deposits. The weapons of their Star Destroyers also used kyber.

Finn and Rey as two young adults running away from their abusive foster families on a rebuilt old chopper. I wanted to do a ficlet for this but ran out of time, so please enjoy this amazing art done on commission by the awesome @goldengrimoire3!

Man eating rice, China, 1901-1904
this is an extremely important picture
Ive never seen someone from 1904 having fun omg
He has a nice face
No but the history behind this picture is really interesting
The reason that everyone always looked miserable in old photos wasn’t that they took too long to take. Once photography became widespread it took only seconds to take a picture.
It was because getting your photo taken was treated the same as getting your portrait painted. A very serious occasion meant so thst your descendants would know that ypu existed and what you looked like.
But one time some British dudes went to china to go on an anthropological expedition, and they met some rural Chinese farmers and decided to take their pictures. Now, these people weren’t exposed to the weird culture of the time around getting your photo taken, so this guy just flashed a big grin during the photo because he was told to strike a pose and that’s the pose he wanted to strike.
I think painted portraits and old photos give us the idea that in general people were just really unhappy because those are the visuals we have. This is so refreshing.
Hey, look; “Man Laughing Alone With Rice” is back on my dash.
always reblog Happy Rice Guy. once upon a time, he really enjoyed his lunch, and that’s beautiful.