Reminder that Poe Dameron Bey was born in wartime, two years after the Battle of Yavin and two years before the Battle of Endor. He was born in a time of uncertainty and ongoing violence. I like to think of him as a “hope baby” whose parents finally had the courage to conceive him (or were just carried away lol) after the Rebels struck a blow against the Empire. It finally looked like there might be a future worth raising children in.

One year after Poe was born came the setback in Hoth when the Rebels were scattered, a General of the Rebellion was captured, and the one living Jedi was badly injured. A year after that came news that the Empire was building a second Death Star, which if completed meant the total subjugation of the galaxy. Poe spent his earliest years in a time of constant turmoil when his lives and the lives of his caregivers could be snuffed out at any moment, whether by a weapon of mass destruction or in battle or execution.

It is canon that Poe rarely saw his parents during these first two years of his life, the first years that are so crucial to forming lasting attachments. These were the final years of the war when both his parents were away risking their lives in a fight against what seemed an unstoppable evil. Any call could bring the news that one or both of them were dead. Any knock on the door could be Imperial Security forces come to take Poe and his caregivers into custody as family members of Rebels.

The maternal grandfather who raised Poe no doubt shielded the child from these realities as best he could, but children know. They can tell when their caregivers are sad and anxious. They also miss their parents something fierce and ask, with or without words, when are they coming? Are they thinking of me? Do they love me? Poe would have grown used to the long partings because he had to, but his face would have brightened at any chirp of the comm, any knock at the door even as his grandfather’s heart sank.

Leaving a young child for even a day can be hard; what was it like for Poe and his parents to be separated for months at a time, never knowing when they would see each other again? How many hours did Poe’s grandfather spend hunched over the communicator while little Poe slept in the next room, trying to guess where his daughter and son-in-law might be deployed, wondering if he would be told in time if the unthinkable happened, wondering if he would have to grab Poe and run if things turned bad? Where could they even run to in a galaxy bent on their annihilation?

Poe and tens of thousands of other children like him endured countless hours of fear and loss along with their families. He knew what it was like to feel a love like cold burn in the absence of the people he yearned for. He knew what it was to have his young heart pressed and shaped by the unending weight of fear. He was one of the lucky ones who got his joyous reunion with his parents, but the effect of those early years would never have gone away.

Six years later, just at the blossoming of his promised happily-ever-after, came the shattering loss that even war had not managed to wreak. Standing with his father to bury his mother, eight-year-old Poe would have been reminded that peace guarantees nothing and that life can be as uncertain and as cruel as war.

He carried forward these lessons, the terrors and the joys, the ache of sorrow that would never go away, to honor his parents’ courage and to make sure other children would not endure what he had. He could not take away tragedy and loss, that was way above his paygrade anyway. What he could do was choose how to react, and he took to the skies after his mother, he fought with principle and honor like his father, and he chose courage and caring like his grandfather.

His parents and grandfather were with him when he abandoned the certainty of military life to wade into a murky fight against a shadowy threat. They were with him when he fought battle after battle, not only in the cold of space but in the thickets of intrigue and espionage. They were with him when he refused to abandon a village doomed to slaughter. They were with him when he was tied to a torture chair, when he was having his mind turned inside out in such agony that he shattered a droid’s audio receptacle with his screams.

The child born in war grew to be a warrior in another, the one thing his parents sacrificed so much in the hopes of preventing. None of them could help the outbreak of this second war that was all their nightmares come to life, but they could choose what they did in response to it. Poe chose to fight, to protect, to sacrifice. The power of choice, after all, was the only power he had in a universe without guarantees.

lj-writes:

SHE-RA!!!

My childhood is crying and in a good way

They made the show so. much. better in every conceivable way with a better story, more compelling characters and relationships, more diversity, better visuals (magical girl is EXACTLY RIGHT yes!!!), better worldbuilding… like this is such a massive upgrade I can’t even.

And look, I was an 80s girl. I loved She-Ra. I had a She-Ra figure, obviously, Glimmer, Angella, Frosta, She-Ra’s castle, and Mermista’s pool. I was a crazy fankid, okay? The show had great character designs and a simple, strong premise that lent itself to a lot of different adventures, both the canonical ones on screen and the increasingly embarrassing homoerotic scenarios I enacted with my figures as I hit puberty. She-Ra was fun and goofy and amazing, and I will always love it for the endless hours of enjoyment it brought my childhood self.

But the new She-Ra updates the story and characters in a new way. It explores the depths in the original premise that the original show never got around to. Adora’s brainwashing by the Horde and what led her to leave, Catra and Adora’s deep and conflicted feelings, the different ways they reacted to their abusive situation, Glimmer’s fraught relationship with her mother and her thirst to prove herself, Angella’s trauma from loss and defeat, the splintered politics of the realms, poking holes in the idea of a superhero solving everyone’s problems and emphasizing the need for everyone to fight together… I’m only four episodes in but my God this is great stuff. The characters may have gotten younger but the story is far more mature, and I’m blown away.

The new series makes me nostalgic in the best way: by bringing back the good memories but also updating the series with storytelling methods evolved for a new media environment. In the era of reboots and remakes She-Ra is one of the franchises that are doing it right.

Reysky doesn’t fix all of the issues in the ST

themandalorianwolf:

I thought I’d make this a separate post from why I think Rey Nobody is terrible cause this needs it’s own post as well.

Rey being a Skywalker, doesn’t make TLJ better. It doesn’t make the ST make sense, and it doesn’t erase the shortcomings of TFA for not delivering on it.

Reysky just patches up one plothole, but doesn’t erase the terrible, sexist, and racist writing of TLJ or the fact that TFA did a bait and switch and left Rey in a Mystery box for 4 years.

The argument that Reysky makes everything better, is wrong. It doesn’t fix what has happened. It would have made more sense if done from the beginning, but in no one way, shape, or form should it be thought as the cure to bad writing. Reysky is putting a band-aid on what went wrong in the ST so far.

Beyond that, I’ve seen some people use the Reysky theory the same way Reylows do to erase Finn as other protagonist of the ST. The most important characters of Star Wars isn’t just the Skywalkers. Han and Leia were just as important as Luke, Obi-Wan is just as important as Anakin, and Finn is just as important as Rey.

Rey shouldn’t be defined by what she is, a nobody random or a Skywalker, rather Rey should be defined but who she is as person, her actions, her struggles, her personality, and her motivations. Nothing less will make her a good character. Slapping a theme or last name on her won’t make her a compelling character. It won’t make anyone of the ST characters. 

“The Might Skywalker Blood” is a terrible, terrible misconception on what makes a character good and if that’s the only reason you want Rey to be a Skywalker? You’re wrong.

The only thing I want from the ST, is good writing and compelling. I don’t care if the ST was set in the unknown regions of space and Rey, Finn, and Poe were all just randos and the OT only had small cameos. Just write them well. 

I’m hoping Rey will stay a Random for these reasons, actually. If ReySky happened the blood worship in the fandom would be unbearable.

One of the things I appreciate about Eleanor and Chidi is how they flip the usual gender dynamic in a male-female romance, but in a way that doesn’t ridicule either character. Eleanor is the one who pursues Chidi in every sense: She seeks him out, asks for his help, is the first to realize her feelings when they turn romantic, and is brave and vulnerable enough to admit her feelings without demanding anything of him. Even with couples like Kataang where the woman is more aggressive (link), it is still often the male character who pursues the female character romantically. It was refreshing to see the woman of the pair being in pursuit and maturely handling the pain of unrequited feelings.

It’s easy in this situation for the man who is the “girl” of the relationship, that is pursued and more passive, to be an object of ridicule. Yet that is not how the story treats Chidi at all. He is good and honorable enough to give his help in every one of the hundreds of times Eleanor asks, even when it is detrimental to his own self-interest in wanting a soulmate to spend eternity with. He stands by Eleanor and values her friendship even when he doesn’t feel the same way about her, or can’t bring himself to admit he does. He may have fallen short in life, tied down by indecision and anxiety, but you can see how he tries to live by his principles and do right by Eleanor and everyone in his life. I could understand how Eleanor had fallen in love with him, and also how he increasingly fell for her as she struggled and fought to be a better person and to save their group of friends. That’s what I fundamentally love about Chidi and Eleanor’s relationship, that they are two imperfect people working to become better and their falling in love is a product of that process.

Eleanor and Chidi are a classic case of opposites not only attracting but complementing each other beautifully. For all Eleanor’s repugnant selfishness, she always had the hustle and determination to take action (most of them bad ones). For all Chidi’s painful indecision, he always had the will to do the right and honorable thing (if only he could decide what it was!). When their strengths complemented each other’s flaws, with Eleanor’s selfishness checked by Chidi’s morals and the void of Chidi’s inaction filled by Eleanor’s decisiveness, they became unstoppable.

The show proves over and over again that their love, so human and down to earth, is also a cosmic force. No matter what time or trickery or actual demons of Hell might stand between them, Chidi will always call to Eleanor like a beacon in the dark and Eleanor will always find her way to him. They will defeat their demons, inside and out, to hold hands and stand together. Pity the forces arrayed against them, because whoever is pitted against this pair will lose.

lj-writes:

Season 2 of The Good Place was AWESOME

Spoilers up to the S2 finale so if you ain’t seen it fork off

I will cry from now until the end of time over Chidi and Eleanor’s kiss ohhhh my sweet babes and they were broken up again the moment Chidi returned her feelings 😭 But then they meet again but they DON’T KNOW idk how to feel 😍😰❤️😢 Like TALK about star-crossed omg omg

I’ve been looking at my own tgp tag and my initial thought that the system is absolute shirt turns out to be validated–by a demon, yes, but still someone who has a solid basis in ethics and knows the system inside out, just like he knew his torture victims.

I like how the story doesn’t gloss over the difficulties of living an ethical life and how thankless it can be. Sure, our quartet worked their way toward being better people in the afterlife–where, despite being in literal Hell, they didn’t face money or housing pressures, weren’t dealing with too many other terrible people, and, as the Judge pointed out, didn’t know about life after death. It was realistic and sympathetic to see Eleanor backslide, and heartening to see her do what she did hundreds of times before: Find Chidi.

Season 3 hasn’t updated yet and Korean Netflix is late in updating as usual, so we’ve decided to ration ourselves on the newest episodes. It’s good to be reasonably caught up, and I can’t wait for more!

The Good Place spoilers up to S2E06

So I’m very happy that the plot is currently following what I saw as the most viable and interesting path, bettering the protagonists rather than submitting them to eternal torment. I did not expect Michael to be included in the package in their little asylum plan, however, and watching him trying to grasp ethics is both hilarious and moving. My husband thinks Michael is the protagonist of Season 2 where Eleanor was the protagonist of Season 1, and so far the season seems to validate him. If that’s the schema of these seasons I wonder who’d be the protagonist in Season 3. I hope it’s Chidi, in conjunction with real-time (and not surreptitiously videotaped by a creepy coke addict) Eleanor/Chidi. Theirs is one of the most endearing slow burns I’ve seen in a while, and they are both hilarious and heartwarming together.

I loved the idea of Tahani/Jianyu from the first, too, and Tahani/Jason makes even more sense in a weird kind of way. Now let’s see if it actually lasts. I’m still 50/50 on Jason finding out he was married to Janet and going back to her, but I hope he and Tahani last because they are so different and yet get along so well together. While both my husband and I swore out loud when Jason proposed, I can also understand him here. He’s had so little stability in his life and people to hold onto, so I can see why he would make an impulsive proposal when he sees a chance at that. And I don’t think it’s technically bigamy? My very own Florida Man heartthrob, I just want him to be happy. He’s my favorite bro character since Josh Chan from Crazy Ex Girlfriend, and the character is getting a whole lot more respect than Josh which is great.

On to more cerebral matters, I not only respect Michael’s thinking out of the box, I think his idea inevitably sprouted the seeds of reformation over punishment. (God, those Criminal Law and Criminal Policy classes from 20 years ago…) His method was tailored specifically to the prisoners’ lives, and the psychological torture forced them to reflect back on their vanities, hypocricies, and hurtful actions in life more effectively than butt spiders ever did. The nature of the punishment also gave the prisoners, especially Eleanor, something to aspire to–the vision of heaven, and also her friends imperfect as they may be. That’s way more clever and meaningful than an eternity of sadistic, gleeful torture. It may not have been Michael’s original intent to induce self-reflection and growth, but that was the result precisely because he devised a better punishment than the way Hell had been doing things.

My current theory is that this is exactly what the hitherto-unseen denizens of The Good Place intended. I think the endgame of the angels, gods, bodhisavattas, administrators or whatnot that are in charge TGP is for everyone to learn to be better and come to Paradise, and Michael’s scheme is just the foot in the door they needed and wanted. I think they wanted him to take a Good Place Janet, too, to build a more convincing Good Place neighborhood and for him to learn the value of selfless service and friendship.

One twist I’d love is if Michael is actually the origin story of the Archangel Michael. I mean that’s who I thought he was back when I thought he was an angel, and what’s a little thing like sequential time to transcendent beings?

lj-writes:

I’m in late Season 1 so nobody spoil me, but I never seem to see a child in The Good Place (as in the afterlife, not the show–we obviously see the main characters as children in flashbacks) and it’s wigging me out. If there are only the Good Place and the Bad Place after death, and there are no children in TGP, what does that mean? They don’t seem to meet the requirements for going to TGP because of course they’re selfish and obnoxious fucks, they’re kids! Is there a separate place for deceased children? Do they get a U-turn reincarnation because it’s too early, and if so what’s the cutoff line–the age of reason? Age of drinking? Or is the unthinkable true and is the system even more fucked up than it seems?

@awakening5 Oh we have SO many theories and questions swirling around. SPOILERS BELOW

My current theory is that no one, or at least none of the main cast, actually earned a spot in TGP. I mean come on, they all mean well but other than Real Eleanor and the like are any of them really in the top 1% or whatever of humanity for selfless goodness? Maybe the “bugs” in the system are someone’s–or something’s–attempt to fix a deeply unjust system. My husband suspects Michael is behind it all, while I suspect Janet. Maybe this yet-unseen Shawn (Sean?) has something to do with it.

I mean the thing with Real Eleanor and Fake Eleanor? Maybe an honest clerical error. But Jason and Jianyu? That’s too much. I even wondered if Jianyu is a real monk who’s in the Bad Place because of a mixup like Real Eleanor, but my husband thinks the show is unlikely to do the same plot twice and I agree. Which means there are now TWO known bugs, and I suspect many more, in what’s supposedly an infallible system. That can’t be a coincidence. Was Jianyu even a real Taiwanese monk, or was the identity a pretext to get Jason into TGP? I guess we’ll get at least a few answers today, since we plan to watch the last three episodes of Season 1 today.

@lidicores Thanks! I guess it comes of being the mother of a young child. My husband was thunderstruck and creeped out when I pointed it out, too. Maybe like @cantina-band and @foxbullfrog said it’s nbd and no one wants to deal with depressing shit like kids dying in a comedy show. Heck, we’ve only seen one neighborhood, maybe there’s a more kid-friendly paradise elsewhere with unlimited sweets and water slides, and the people who loved them in life join them there :’)

I’m in late Season 1 so nobody spoil me, but I never seem to see a child in The Good Place (as in the afterlife, not the show–we obviously see the main characters as children in flashbacks) and it’s wigging me out. If there are only the Good Place and the Bad Place after death, and there are no children in TGP, what does that mean? They don’t seem to meet the requirements for going to TGP because of course they’re selfish and obnoxious fucks, they’re kids! Is there a separate place for deceased children? Do they get a U-turn reincarnation because it’s too early, and if so what’s the cutoff line–the age of reason? Age of drinking? Or is the unthinkable true and is the system even more fucked up than it seems?

This post includes spoilers for N.K. Jemisin’s Broken Earth trilogy

Of the seven common use-castes in the Stillness, I never expected to find the Breeders the most interesting and wholesome. The word itself has negative connotations in our world, and I originally envisioned them as something of a leisure class who attached themselves to the most wealthy/powerful to be pampered and have babies.

That impression was probably helped by the fact that Sanzed traits are considered the most desirable by Breeders and that’s my least favorite aspect of them. There’s simply no saying that Sanzed traits are the most well-adapted to all the variety of environments and situations human beings live in. Esni, the tiny blond Arctic woman that Essun thought her ancestors should have done the favor of sleeping with a Sanzed or two, laughed all the way to the ending by being very effective at her job as the head of Castrima’s Strongbacks and surviving everything like a bitch. Midlatters are highly fertile, as Essun herself exemplifies, and East Coasters seem to have had powerful lines of orogeny if Alabaster’s lineage was any indication.

Anyway, my impression of the Breeders turned out to be very wrong, at least for a smaller, rougher comm like Castrima where everyone has to pull their weight and is more egalitarian than one of the big Equatorial comms would have been. (Are there any left after Rennanis?) I started changing my mind about Breeders when Castrima’s gave one of their baby allocations to the mother who had the unauthorized pregnancy. They could be generous, it seemed, and compassionate. They are evidently inveterate gossips about people’s love and sex lives, too; their caste meetings must be so much fun. They also turned out to be flexible and pragmatic when the male Breeder who approached Essun got it into his head that breeding for orogeny was a great idea now. I headcanon that Ykka is one more proposition by a male Breeder away
from ashing the whole caste out–I mean she’s headwoman, an orogene, and strongly Sanzed. She’s so perfect that the Breeders would be in derogation of their duties by not at least trying. Maybe the male Breeder went to Essun after Ykka threatened to ice him if he asked her one more time to go off birth control with him. Convincing orogenes, a group that tends to be highly traumatized and defensive, to breed is no doubt a new and brave frontier in the Breeders’ trade.

Breeders are also protectors of pregnant people and young children in battle even though fighting is not their primary duty. They’re probably in charge of the comm’s birth control and sex education, too, and are likely to take a role in relationship counseling and lower creche caretaking as well. Since birth control is one of their areas of expertise they probably know about administering hormones, and transgender healthcare may be one of the duties they take on in conjunction with the Innovators. They’re probably the closest thing the Stillness has to a Planned Parenthood, what’s not to like?