shortviolet:

me, leaning so close my lips touch the mic : finn was without a doubt the best part of the force awakens, one because john boyega’s performance literally carried the entire movie, two because his story is unique and groundbreaking and one that has never been told in a star wars movie. he is quite literally the most iconic star wars character ever created, and the fact that he is now pushed aside in merch and in the trailers to make room for other characters (*cough*kylo*cough*) is utterly shameful. 

rian johnson, crying : please get out of my home

Making Decisions in “Star Wars”

ljones41:

In “A New Hope”, Luke Skywalker tried to convince Han Solo to join the Rebel Alliance following their escape from the Death Star.  Leia Organa told him that would be a mistake.  She also pointed out that Han had to follow his own path and make his own decisions. Apparently, this was something that Rian Johnson failed to learn when it came to Finn.  Or perhaps as a black man, Finn was not allowed to make his own decisions.

The way fans bend over backward trying to justify Finn being assaulted and forced to stay is honestly terrifying.

finnobliterateshux:

lj-writes:

meganphntmgrl:

looking at the tlj critical crowd’s blogs is like reading the diaries of a celebrity stalker from before they commit some kind of shockingly depraved, vaguely culty crime

It’s not that deep we don’t like the movie 😂 and get this crap out of the #tlj critical tag.

I can’t believe after all my hard work I didn’t make this photoset. Dammit.

You just don’t sound depraved and culty enough, not everyone has what it takes 😘

rose-griffes:

redrikki:

redrikki:

kyberfox:

chibi-chellist:

One thing that really annoys me about the discussion surrounding the TLJ backlash is people talking about arrogant fans feeling “entitled”.

And I say, what about Disney’s arrogance and entitlement? After the success they had with their animation, Pixar and Marvel movies they now behave like people *owe* it to them to like their products, and are shocked and appalled – and spin ridiculous tales about hackers rigging Rotten Tomatoes or whatnot – because how dare people not like one of their movies, how dare they!?

No, Disney, you are not immune to criticism and failure and Star Wars fans don’t owe you anything and have the right to just really and honestly think that TLJ is a bad movie and not spend their money on it.

I wonder if some of this is tied to the mindset that Star Wars was the unsinkable franchise?

Star Wars was seen as the one thing that couldn’t tank, couldn’t bomb. It was inconceivable that a Star Wars movie, much less a Star Wars saga movie, could flop.

But The Last Jedi has flopped and flopped big time. And right now not just Disney but all of Hollywood is in a state of panic because yes other movies and franchises has flopped, but Star Wars had this myth of being untouchable surrounding it, and if Star Wars can sink, anything can.

I think this may have hammered home in a way that nothing else could have, that no one is above criticism, that no one is immune to backlash from fans. Disney, Hollywood and media is in a state of shock that this has happened and that it has happened on such a clear scale – there’s no arguing that TLJ did fail – and they have no idea how to deal with it, so they blame the fans-

Complaining that fans feel entitled to good storytelling and a
modicum

of respect is like complaining that Millennial are killing the _____ industry. How dare consumers want some things and not others! How dare they! Don’t they know that they exist to give corporations money? Consumers can’t honestly expect corporations to tailor their products to meet their evolving wants and needs, not when years of advertising theory say that they’re just malleable sheep who can be trained to want anything.

@thewillowbends replied saying:

They spent $5 billion on the franchise and thought they could just pump
out whatever and we’d eat it up.  Apparently, they weren’t paying
attention to the response to the prequels.  Star Wars fans are fanatics,
but they’re also extremely demanding.  These movies mean a lot to
people. 

Don’t you know you’re supposed to let the past die? Kill it if you have to. We’re all just a bunch of entitled losers if we think we should have standards and want some form of character continuity. I mean, obviously, Disney envisioned Star Wars fans as walking ATMs who could be relied upon to pay for tickets and buy all the merchandise, but it’s more insidious than that. So much of the current film storytelling is based on the idea that while casual viewers just want lightsabers and a rehash of the OT, anyone who is actually invested in the GFFA will feel compelled to buy all the tie-in material just so they understand what the fuck is going on.

Want to know how the galaxy became such a mess in between RotJ and TFA? Buy the books! Want some actual depth to our cardboard cut-out characters? Buy the books! Want to know who this new person is we’re pretending you’re already supposed to know is? Buy the books. The Old EU was never this crass when it came to forcing fans to buy the tie-ins. By uniting all their storytelling under one roof, they can and have deliberately created gaps which must be filled and it’s deeply annoying to me that I have fallen for it on multiple occasions because I genuinely do care about the characters and the story. 

I’ve been a Star Wars fan for years. Decades, even. But I’d never bought any tie-in material before TFA. 

I love Finn, so I got the Rucka novel Before the Awakening, and ABSOLUTELY NOTHING THAT MATTERS TO FINN from that novel actually makes it onscreen in TFA or TLJ. It’s not just that the novel “enhances” the character; he’s basically an entirely different character. 

Finn was a star in the Stormtrooper program; Phasma saw him as future leadership material. None of that gets portrayed in either movie. And I find it even more disappointing because Finn is portrayed by John Boyega, who is black, and so a lot of fans aren’t making positive assumptions about him to begin with. 

TFA went for a cheap joke about Finn working sanitation, and never clarified that it was part of a normal rotation of duties. TLJ doubled down on that sanitation worker idea. Yes, we saw Finn make smart deductions for a moment onscreen in TLJ. But we still don’t see any hint within the films about Finn that the Rucka novel goes to the trouble of creating. 

Anyway. So that’s the last time I’ll buy anything for the new EU. 

There are soooooo many assholes now claiming BTA is not canon and Finn was a janitor. (A janitor who’s also a crack shot and tactical genius, sounds pretty impressive actually) Ryan Craig gave fuel to fandom racists by unoriginally repeating the sanitation gag and now I just want to burn everything down.

defenders-of-the-salt:

lj-writes:

defenders-of-the-salt:

lj-writes:

Remember the time Leia electrocuted Han for leaving the Rebellion in A New Hope? God, that scene was so funny. Remember also how she punched Han across the room as he was recovering from being frozen in Return of the Jedi? A total laugh riot. What a wacky, endearing character!

These things didn’t happen, of course, because it would have been completely off in tone and made Leia look like a weirdo. It would have cheapened Han’s character and the story as a whole.

So why is it okay for Finn, and why are viewers falling over themselves trying to find excuses for Rose? “She lost her sister-” Leia lost her planet. Next excuse.

I’m not saying you’re a Bad Racist Person if you liked The Last Jedi. I hope you enjoyed it and it rekindled your love of the franchise. That’s what we’re all here for, the fun and joy of loving these adventures.

I’m saying that Hollywood and audiences alike have a bias when it comes to whose pain is given respect and whose pain can be played for a laugh. And that bias is not only hurtful to fans caught on the wrong side of the empathy gap, it also hurts the quality and integrity of the works themselves.

It’s possible to love a work and also see how others might not feel the same way about it. Being a fan doesn’t mean you have to be a dismissive jerk or wilfully deny a work’s flaws. It’s fun to be a fan, but it’s imperative to be a person.

You know, it’s amazing how bad things can sound when you take the context out of them. It’s amazing how you talk about being critical about things you like, similar to how a rational person would, when you’ve been on an Anti-Rose-Tico tirade since before you even saw the movie – if you’ve even seen it at all at this point.

Anyway, so, Rose is positioned – presumably by a superior – to guard the escape pods from deserters. These deserters could likely be trained fighters, so they give the mechanic Rose – who probably isn’t that good at hand-to-hand combat – a weapon: a stun gun. Harmless in the long run, it knocks out its victims for a brief period of time, enough time for Rose to get any would-be deserters to superiors to be dealt with. Makes sense, right?

So this guy – Finn – comes by near the pods. Rose has had to stun several people by this point, but she’s cool with Finn. She doesn’t know him, but, after all, he’s a Resistance hero, who bravely risked his life to fight against his former captors, and was quite skilled at it too, and – is that a bag?

She stuns him after pitiful excuses, like “it’s not what it looks like!”, and “i mean, i was planning on leaving, but not deserting, i swear!”. She’s heard it all before, presumably. And this Finn character – she doesn’t know him, and has no reason to trust that he was actually trying to help the Resistance. 

She did her job and stopped who, to the best of her knowledge, was a deserter, and, somehow, she’s a villain for that? Anti-black? Extremely violent? That’s a pitiful claim, too.

And she punched him across the room – when, how? I may have just forgotten, and, if that, please explain to me when that happened. But somehow, the description seems unlikely.

There’s one more claim to address, though – your claim that her crashing into Finn to stop him from committing a pointless heroic sacrifice was violent. What else was she supposed to do – watch Finn kill himself in a pointless endeavor that had more loss than gain; wave her arms and hope he stopped; or take charge of the situation to save her friend? You chose!

There’s being critical of a franchise, and then there’s downright being hateful, hypocritical and mocking people who hold a different opinion on your blog. Hint: you’re not the former.

Oh hey, everyone, criticizing the way Rose is written is now being anti Rose! Like, don’t think I can’t see you using a female Asian character to shield a white dude’s writing decisions from criticism.

You know what you sound iike? You sound like one of those dudebros who get suuuuper defensive about sexual objectification in video games and comics, saying shit like, “Of course her tits were hanging out, she was in hand-to-hand combat against a claw monster with a lactation fetish! Do you expect her clothes to be all pristine and intact after that?!”

News flash: The context does not grow out of the earth. Rian Johnson wrote it and specifically cooked up a situation that “justified” Rose tasing Finn. Even worse, he played it for a laugh. That answers the speeder crash part, too. Johnson also made it so that Rose “had” to crash her vehicle into Finn’s.

And even in the situation you mention the tasing doesn’t hold up because Finn is–guess what? Not a Resistance member. Hence, he can’t be a deserter. He was a free agent who did more for the Resistance than anyone could be expected to, and was receiving medical care from them as a result.

This is  specifically why I compared him to Han at the end of ANH because Han, too, was an outsider. Unlike Han Finn wasn’t even trying to leave the Resistance for good, he was trying to protect two of its major allies, Rey and by extension Luke.

And like, thanks for making your own racism crystal clear by calling Finn’s reasons “pitiful excuses.” I’m sure you’ll sound so much braver and more coherent when someone’s menacingly waving a weapon at you that causes excruciating pain.

You also directly contradict yourself by saying that Rose was cool with Finn because of the way he bravely risked his life and then, in the next breath, saying she doesn’t know him and has no reason to trust him. Like, even to listen for half a fucking second?

And yes, it’s antiblack as fuck to contrive a situation to make a Black character suffer and pass out for no good story and character reason, and to play his pain for laughs. It cheapens Finn’s character arc because he didn’t get to make a choice to stay the way Han came back of his own free choice. Finn spent his entire life being controlled by pain and fear, and at Rose’s hands he gets more of the same.

By Leia punching a recovering Han I was referring to Rose making Finn, who had just recovered from a life-threatening injury, fly backward with the taser.

The op was like literally the mildest possible critique of the tasing incident yet here you are on my post, choosing to be hyperdefensive and fragile about it. I guess the exhortation to have some empathy really does sound like a threat to some people.

Well, first of all,

Yes, tagging something anti Rose, does mean, that, in fact, your post is being titled by you, the writer, as anti Rose! So, guess you’re just criticizing yourself at this point.

And nice job spending around ¼ of your rebuttal criticizing me as a person instead of my argument! I just think it really shows the lack of strength in a person’s debate if they can’t even scrounge up a few measly criticisms on my actual argument, but, instead, spend their time comforting themselves by changing my gender and adding 20+ years to my age so they can think that, at least, they’re not the loser living in their mom’s basement.

And what, Johnson specifically writes situations to put Finn in pain? He thought, Hey, why don’t I stun Finn, cause’ I hate him, but, oh, how? I got it! I’ll make it so he attempts to leave the Resistance and gets stunned by Rose! It sure is fun writing a significant scene that introduces a new main character and starts a new sub plot based specifically on causing one character pain! I love ruining Star Wars! 

And I also guess literally any other use of stunning (which, in the Star Wars universe, is a heck of a lot, and in The Last Jedi, a decent of a lot, since it was established as a weapon early in the film that then justified its use later in the movie while also making sure the audience wasn’t jarred by the sudden use of a completely new weapon in an important battle – hey! another reason why Finn could have been stunned by Rose!) is also racist and made by Johnson specifically to hurt characters! Wow, amazing how stupid that sounds!

And maybe, just maybe, Rose crashing into Finn to save him from sacrificing himself was a culmination of the human life vs. military gains debate that had been raging throughout the entire movie since the death of the bomber squad to take out the dreadnought as well as showing how Rose, despite not being able to save her sister, took the chance to save another one of her loved ones at great personal risk. Because, let me remind you, Finn was fine after the crash, being able to run and walk around immediately after, while Rose was the one bloodied up and needing medical care.

And considering Finn was kept with the Resistance and fought for their causes, it may seem to a low-level mechanic that he was, in fact, a member of the Resistance! Shocker what we can discover when we look at what a character would know in context of the story, and not what we, the audience, knows.

Also, nice job on having zero reading comprehension skills, since it’s quite clear that “pitiful excuses” is referring to Finn’s failed attempts to explain to Rose why he was leaving through Rose’s eyes and not his actual reasons for leaving. And how is that even racist? Isn’t something racist supposed to relate to the race of a character, like, say, making an assumption based on their race? Cause, please, I fail to see how saying Finn did a poor job of explaining himself is racist.

And Rose knew Finn at that point similar to how someone like me knows Ryan Gosling. A celebrity, maybe someone you adore? Sure! But not someone you would place the same amount of trust in as a friend or family member.

And why would you make a reference to the same thing twice in different ways? Literally just make your one reference and go, don’t make it seem like you’re referring to two different situations.

And nice job dodging the fact that you started hurling criticisms at this movie before you even saw it. After all, how can someone construct a thorough review on something they didn’t even see?

That’s…. your supposed gotcha? I don’t know whether to laugh or feel sorry for you. It’s called tagging etiquette, keeping critical content out of the character tags. “Anti” is just one of the tag conventions for such posts.

You sound like a dudebro =/= you are a dudebro. I’m not even sure where the age thing comes from, dudebros are YOUNG guys between 16 and 25. Is this your way of telling me you’re a fetus? #PlotTwist

It doesn’t matter what Johnson’s specific intention was, the impact is what you described in italics. (A very apt summary, thank you.)

Since it looks like you stopped reading everything in the paragraph after “dudebro,” let me elaborate on that comparison. Let’s say I had a female character get into a fight and had her breasts hanging out of her torn clothes as a result, and treated that visual in a very sexual way. It doesn’t matter whether I started out intending to objectify her, it’s still objectification and it’s still sexist. I wrote the plot that would lead to the character’s breasts being exposed and sexualized, and I don’t get a pass for that.

The same goes for the tasing and crash scenes, somehow Johnson didn’t write scenes so that Finn could have his own realizations and make his own crucial choices but rather had to be hurt “for his own good” and I find that objectionable.

You might want to look up what “implicit bias” is. I was pointing out the seeming contempt for Finn in a situation where he was clearly scared of having more pain inflicted on him. How’s that for an empathy gap?

I guess I assumed that people who saw the movie would remember that Finn went flying across the room because it’s uhhh rather memorable? I mean it looks like the couple hundred people in the notes got it without any problem.

On a side note, human lives vs. military gains is such an odd way to frame that scene because I think the Resistance who were going to be killed by the FO also consists of human and also alien beings?

You seem pretty well acquainted with my recent blogging history, not to mention really fucken’ obsessed with my media consumption like a few anons I was getting a while back. As I told one of those anons, if you don’t like how or at what point I’m talking about a movie you’re free to ignore me? I keep my TLJ-critical posts out of the main tag and the character tags so it shouldn’t be hard to do.