Why he’s not getting more work? My dad said that Mark Hamill was
in a lot of real flops after SW whereas Harrison went on to be the big
star, and Mark sort of drifted into other things like voice work. I
really don’t want that for John. I just feel like maybe being in SW
might have hurt rather than helped him because they said Finn was the co
lead and he’s treated like the second string in TLJ. Idk, I am just not
happy that he’s not getting the opportunities others in that franchise
are (2/2)
There could be a lot of different reasons, and I’m not worried. I think John has been smart about his career, doing other jobs between SW movies so that he won’t be associated exclusively with Finn. He may have gotten some advice there; one reason Mark’s acting career didn’t work out so well was because he was too strongly associated with Luke. I know he missed out on at least one musical role for that reason.
It’s simply not true that John can only get commercials. He’s been in other movies, he’s been in plays. It could be that he’s negotiating deals, or maybe he’s focused on other things at the moment. We already know his ambitions are bigger than acting–he wants to create
opportunities for others as well through his production company.
So yeah, just because we’re not hearing about work he’s doing right now doesn’t mean he isn’t working, or isn’t getting opportunities. I think he’s preparing things that will amaze us down the line, whether it’s as an actor, producer, or otherwise.
(And I’m not sure what you mean about Adam winning an Oscar this year? For his work in the upcoming Spike Lee film? I’d be happy for him if he does, but it is not possible for anyone to win an Oscar this year, that would be in February 2019 for films opening in 2018.)
I actually think John’s career has been going well. Especially compared to some of his co-Stars. I just think John is choosing the right things so that his face is known not only critically but also in a main stream way.
John was in the critically acclaimed movie Detroit by Kathryn Bigelow and had his performance praised for it.
And while Pacific Rim didn’t receive the praise the original did, the film made a profit, had its sequel greenlit and John was said all around to be the best part of the movie and proved he can be THE leading man.
Plus John has been spending his time getting to know the right people in the business and also supporting his friends in the business.
I really don’t think it’s a stretch to think that John will eventually be joining the MCU soon since he was in the running for getting in the Black Panther. I’ll bet he’s even gonna he in the sequel.
If anything I think Daisy will have the harder time and might suffer from the same problem Mark did. Which what happen to Mark was a shame because he was a damn fine actor, but back then Hollywood was looming for the Harrison Ford type. Not woman like Carrie who were outspoken or Mark who wasn’t you’re typical masculine man.
John is trying to avoid what happens to a lot of actors in big franchises, and that’s not getting type cast. So he’s picking good roles that display his talents but also get him recognition. It would help his career greatly though now that JJ is back. I can honestly say John gave it his all in TLJ.
If there is anything to love about the dumpster fire that was TLJ and Finn’s story arc is that John was fucking amazing in every scene he was in.
John was everything from comedic to hauntingly serious and I hope JJ delivers with bringing Finn back to the leading role in ep 9.
JJ told John he’s the new star of Star Wars and he’d better deliver on that promise. Personally I think a large part of the reason he came back for IX was for John/Finn’s sake.
Yeah considering how close JJ is with John and Daisy I wouldn’t be surprised if he came back for them. Like I’m sure having your story hijacked is frustrating, but I imagine seeing these two new kids you hired being wasted and suffering professionally because you left would be more upsetting. The fact that Daisy cried when she heard he was coming back says a lot about their relationship.
For the actual quotes if anyone wants to read them:
Here’s John’s statement:
And JJ’s
JJ Abrams pretty much started John and Daisy’s career and are close friends with as well.
It’s no secret that Daisy had reported that she was having trouble on set and John’s enthusiasm seemed to only be bts of hanging out on set.
JJ Abrams more than likely not only wanted to save the story and characters HE created, but protect the actors he cares about.
To add further to my reply, JJ Abrams is not only a protégé of Steven Spielberg, but of George Lucas.
While writing The Force Awakens, JJ sat down with George and Spoke with him, got his advice on where to take these characters and what to do with them. There is a reason why so many of the characters in TFA seem like they were based from legends, that’s because they were.
Jaina Solo and Ben Skywalker were the template for Rey
Kyle Katarn and Finn Galfridian were the template for Finn
And Jacen Solo was the template for Ben Solo/Kylo Ren.
JJ Abrams knew what he was doing. If there was anyone who you would want to do episode nine, it would be him and I’m happy he’s back.
This warms my heart. Also the return of the JJ shows the idea that LF is totally happy with RJ for the bullshit it is. Like Daisy said, RJ was the logical and expected choice for IX after Jurassic guy was gone. Why get–or accept–JJ back if RJ could just pick up where he left off?
They’re already getting some heat and are at least replying. It’s good to speak up when stuff like this happens and some R/ylos are already trying to pipe in with “TRUE ART SHOULDN’T KOWTOW TO SJWs” so, y’know, if you have a twitter consider sending them a quick note.
Get ready for one of the most nonsensical, bullshit responses I have ever seen anyone use to defend themselves against an accusation of racism:
BB-8 has fuck-all to do with the Skywalkers yet gets to be included “as a design element” but the POC are left out because they’re “not germane to the theme” cool cool.
This sort of thinking is also exactly why I was so wary of Kylo being the lone next-gen Skywalker, because I KNEW this sort of bullshit was coming. Lucasfilm made a choice to make Kylo the only new Skywalker, to cast Rey as a white girl, and to keep the POC completely separate from the Force/family drama.
This is a bunch of bullshit. Instead of apologizing they decided to come up with some bullshit excuse which makes no sense.
Lmao Luke and Leia are parental/Spiritual guides?
Luke is treated like a washed up hobo and coward
Leia is in a coma for 65% of the movie and does nothing but watch her loved ones die for the other 45%
BB-8 has nothing to do with the Skywalkers
Where’s old Obi-Wan? He’s the literal spiritual guide as a ghost!
Qui-Gon dies in the first movie and young Padawan had nothing to do with kid Anakin.
Finn literally fought Kylo Ren and Poe was tortured by him and both Poe and Finn had giant roles in finding Luke.
Now the story of the Skywalkers and loved ones are important?
Where the fuck was this care when Luke was turned into a hobo?
Where was Han’s funeral?
Where was Leia getting treated like an actual character and not ignored for most of the movie?
Where was Rey actually being relevant and not “nothing”?
How about fuck Lucasfilms for using the original trio for nostalgia and people of color for marketing then treating them like shit.
“The most tender way he could think to phrase it” is receipt #573838847739 of why Reylo is a disaster of a “romance”.
Last tweet is interesting though. This may be why there’s a hidden obsession with some fans on wanting Kylo to be considered as the “real” protagonist, as “Ben Solo”. 🤔
Remember the time Leia electrocuted Han for leaving the Rebellion in A New Hope? God, that scene was so funny. Remember also how she punched Han across the room as he was recovering from being frozen in Return of the Jedi? A total laugh riot. What a wacky, endearing character!
These things didn’t happen, of course, because it would have been completely off in tone and made Leia look like a weirdo. It would have cheapened Han’s character and the story as a whole.
So why is it okay for Finn, and why are viewers falling over themselves trying to find excuses for Rose? “She lost her sister-” Leia lost her planet. Next excuse.
I’m not saying you’re a Bad Racist Person if you liked The Last Jedi. I hope you enjoyed it and it rekindled your love of the franchise. That’s what we’re all here for, the fun and joy of loving these adventures.
I’m saying that Hollywood and audiences alike have a bias when it comes to whose pain is given respect and whose pain can be played for a laugh. And that bias is not only hurtful to fans caught on the wrong side of the empathy gap, it also hurts the quality and integrity of the works themselves.
It’s possible to love a work and also see how others might not feel the same way about it. Being a fan doesn’t mean you have to be a dismissive jerk or wilfully deny a work’s flaws. It’s fun to be a fan, but it’s imperative to be a person.
You know, it’s amazing how bad things can sound when you take the context out of them. It’s amazing how you talk about being critical about things you like, similar to how a rational person would, when you’ve been on an Anti-Rose-Tico tirade since before you even saw the movie – if you’ve even seen it at all at this point.
Anyway, so, Rose is positioned – presumably by a superior – to guard the escape pods from deserters. These deserters could likely be trained fighters, so they give the mechanic Rose – who probably isn’t that good at hand-to-hand combat – a weapon: a stun gun. Harmless in the long run, it knocks out its victims for a brief period of time, enough time for Rose to get any would-be deserters to superiors to be dealt with. Makes sense, right?
So this guy – Finn – comes by near the pods. Rose has had to stun several people by this point, but she’s cool with Finn. She doesn’t know him, but, after all, he’s a Resistance hero, who bravely risked his life to fight against his former captors, and was quite skilled at it too, and – is that a bag?
She stuns him after pitiful excuses, like “it’s not what it looks like!”, and “i mean, i was planning on leaving, but not deserting, i swear!”. She’s heard it all before, presumably. And this Finn character – she doesn’t know him, and has no reason to trust that he was actually trying to help the Resistance.
She did her job and stopped who, to the best of her knowledge, was a deserter, and, somehow, she’s a villain for that? Anti-black? Extremely violent? That’s a pitiful claim, too.
And she punched him across the room – when, how? I may have just forgotten, and, if that, please explain to me when that happened. But somehow, the description seems unlikely.
There’s one more claim to address, though – your claim that her crashing into Finn to stop him from committing a pointless heroic sacrifice was violent. What else was she supposed to do – watch Finn kill himself in a pointless endeavor that had more loss than gain; wave her arms and hope he stopped; or take charge of the situation to save her friend? You chose!
There’s being critical of a franchise, and then there’s downright being hateful, hypocritical and mocking people who hold a different opinion on your blog. Hint: you’re not the former.
Oh hey, everyone, criticizing the way Rose is written is now being anti Rose! Like, don’t think I can’t see you using a female Asian character to shield a white dude’s writing decisions from criticism.
You know what you sound iike? You sound like one of those dudebros who get suuuuper defensive about sexual objectification in video games and comics, saying shit like, “Of course her tits were hanging out, she was in hand-to-hand combat against a claw monster with a lactation fetish! Do you expect her clothes to be all pristine and intact after that?!”
News flash: The context does not grow out of the earth. Rian Johnson wrote it and specifically cooked up a situation that “justified” Rose tasing Finn. Even worse, he played it for a laugh. That answers the speeder crash part, too. Johnson also made it so that Rose “had” to crash her vehicle into Finn’s.
And even in the situation you mention the tasing doesn’t hold up because Finn is–guess what? Not a Resistance member. Hence, he can’t be a deserter. He was a free agent who did more for the Resistance than anyone could be expected to, and was receiving medical care from them as a result.
This is specifically why I compared him to Han at the end of ANH because Han, too, was an outsider. Unlike Han Finn wasn’t even trying to leave the Resistance for good, he was trying to protect two of its major allies, Rey and by extension Luke.
And like, thanks for making your own racism crystal clear by calling Finn’s reasons “pitiful excuses.” I’m sure you’ll sound so much braver and more coherent when someone’s menacingly waving a weapon at you that causes excruciating pain.
You also directly contradict yourself by saying that Rose was cool with Finn because of the way he bravely risked his life and then, in the next breath, saying she doesn’t know him and has no reason to trust him. Like, even to listen for half a fucking second?
And yes, it’s antiblack as fuck to contrive a situation to make a Black character suffer and pass out for no good story and character reason, and to play his pain for laughs. It cheapens Finn’s character arc because he didn’t get to make a choice to stay the way Han came back of his own free choice. Finn spent his entire life being controlled by pain and fear, and at Rose’s hands he gets more of the same.
By Leia punching a recovering Han I was referring to Rose making Finn, who had just recovered from a life-threatening injury, fly backward with the taser.
The op was like literally the mildest possible critique of the tasing incident yet here you are on my post, choosing to be hyperdefensive and fragile about it. I guess the exhortation to have some empathy really does sound like a threat to some people.
Well, first of all,
Yes, tagging something anti Rose, does mean, that, in fact, your post is being titled by you, the writer, as anti Rose! So, guess you’re just criticizing yourself at this point.
And nice job spending around ¼ of your rebuttal criticizing me as a person instead of my argument! I just think it really shows the lack of strength in a person’s debate if they can’t even scrounge up a few measly criticisms on my actual argument, but, instead, spend their time comforting themselves by changing my gender and adding 20+ years to my age so they can think that, at least, they’re not the loser living in their mom’s basement.
And what, Johnson specifically writes situations to put Finn in pain? He thought, Hey, why don’t I stun Finn, cause’ I hate him, but, oh, how? I got it! I’ll make it so he attempts to leave the Resistance and gets stunned by Rose! It sure is fun writing a significant scene that introduces a new main character and starts a new sub plot based specifically on causing one character pain! I love ruining Star Wars!
And I also guess literally any other use of stunning (which, in the Star Wars universe, is a heck of a lot, and in The Last Jedi, a decent of a lot, since it was established as a weapon early in the film that then justified its use later in the movie while also making sure the audience wasn’t jarred by the sudden use of a completely new weapon in an important battle – hey! another reason why Finn could have been stunned by Rose!) is also racist and made by Johnson specifically to hurt characters! Wow, amazing how stupid that sounds!
And maybe, just maybe, Rose crashing into Finn to save him from sacrificing himself was a culmination of the human life vs. military gains debate that had been raging throughout the entire movie since the death of the bomber squad to take out the dreadnought as well as showing how Rose, despite not being able to save her sister, took the chance to save another one of her loved ones at great personal risk. Because, let me remind you, Finn was fine after the crash, being able to run and walk around immediately after, while Rose was the one bloodied up and needing medical care.
And considering Finn was kept with the Resistance and fought for their causes, it may seem to a low-level mechanic that he was, in fact, a member of the Resistance! Shocker what we can discover when we look at what a character would know in context of the story, and not what we, the audience, knows.
Also, nice job on having zero reading comprehension skills, since it’s quite clear that “pitiful excuses” is referring to Finn’s failed attempts to explain to Rose why he was leaving through Rose’s eyes and not his actual reasons for leaving. And how is that even racist? Isn’t something racist supposed to relate to the race of a character, like, say, making an assumption based on their race? Cause, please, I fail to see how saying Finn did a poor job of explaining himself is racist.
And Rose knew Finn at that point similar to how someone like me knows Ryan Gosling. A celebrity, maybe someone you adore? Sure! But not someone you would place the same amount of trust in as a friend or family member.
And why would you make a reference to the same thing twice in different ways? Literally just make your one reference and go, don’t make it seem like you’re referring to two different situations.
And nice job dodging the fact that you started hurling criticisms at this movie before you even saw it. After all, how can someone construct a thorough review on something they didn’t even see?
That’s…. your supposed gotcha? I don’t know whether to laugh or feel sorry for you. It’s called tagging etiquette, keeping critical content out of the character tags. “Anti” is just one of the tag conventions for such posts.
You sound like a dudebro =/= you are a dudebro. I’m not even sure where the age thing comes from, dudebros are YOUNG guys between 16 and 25. Is this your way of telling me you’re a fetus? #PlotTwist
It doesn’t matter what Johnson’s specific intention was, the impact is what you described in italics. (A very apt summary, thank you.)
Since it looks like you stopped reading everything in the paragraph after “dudebro,” let me elaborate on that comparison. Let’s say I had a female character get into a fight and had her breasts hanging out of her torn clothes as a result, and treated that visual in a very sexual way. It doesn’t matter whether I started out intending to objectify her, it’s still objectification and it’s still sexist. I wrote the plot that would lead to the character’s breasts being exposed and sexualized, and I don’t get a pass for that.
The same goes for the tasing and crash scenes, somehow Johnson didn’t write scenes so that Finn could have his own realizations and make his own crucial choices but rather had to be hurt “for his own good” and I find that objectionable.
You might want to look up what “implicit bias” is. I was pointing out the seeming contempt for Finn in a situation where he was clearly scared of having more pain inflicted on him. How’s that for an empathy gap?
I guess I assumed that people who saw the movie would remember that Finn went flying across the room because it’s uhhh rather memorable? I mean it looks like the couple hundred people in the notes got it without any problem.
On a side note, human lives vs. military gains is such an odd way to frame that scene because I think the Resistance who were going to be killed by the FO also consists of human and also alien beings?
You seem pretty well acquainted with my recent blogging history, not to mention really fucken’ obsessed with my media consumption like a few anons I was getting a while back. As I told one of those anons, if you don’t like how or at what point I’m talking about a movie you’re free to ignore me? I keep my TLJ-critical posts out of the main tag and the character tags so it shouldn’t be hard to do.
Thanks for missing the point of every single one of my arguments and instead focusing on very minor points! Seriously, “you’re a fetus”? I’m so hurt.
And, no, “anti” in the context of tumblr 2017 very specifically means you are “anti” or against said thing. I’m sure you know that by now.
And how about I put it this way? A female character getting her breasts exposed serves no other purpose than to provide fan service for those who swing that way. Finn getting stunned, however, A: moves the plot forward (without Finn being restrained in some way, he would have left and thus not be able to travel to Canto Bight and make all those revelations and character revelations and connect with Rose…etc. Finn is rather headstrong, and if he could have, he would have escaped to make sure Rey was safe, not sit around and play story-time with Rose if she did not pose an immediate threat to his plan. He was under a time crunch, after all) B: puts the stun gun as a weapon in the audience’s mind, thus setting up all the other uses of it throughout the film (like Leia stopping Poe’s mutiny) and C: establishes Rose’s allegiance to the Resistance as well as, despite her being introduced crying, do-what-you-got-to-do attitude.
And how do I show contempt for Finn? Do I say he’s stupid? A bad person? I said he gave poorly-word excuses. No need to blow it out of proportion.
Okay, how about this: humans-and-sentient-creatures-who-are-often-humanoid lives vs. military gains. Better?
Also:
“I keep my TLJ-critical posts out of the main tag and the character tags so it shouldn’t be hard to do.”
Can you at least make up a better lie?
in other words, you didn’t know what a dudebro is and got mad at me for your own ignorance. Okay.
Are you saying I should use the Rose Tico tag with content critical of Rose? But then you’d be mad at me for crosstagging. As the late Admiral Ackbar said, “It’s a trap!”
So it’s not racist at all to have a Black character repeatedly hurt for humor and to take away his agency as long as there’s a plot purpose. Okay. Never mind that the plot could have been written in a completely different way. Obviously this was the only possible plot and Rian Johnson was forced to make choices that humiliated Finn.
You show contempt for Finn by talking about how pitiful his excuses are without the least empathy for his pain and fear. I mean you don’t even remember the part where he flew across the room and hit the wound on his back, which tells me how little his pain matters to you.
Since I must evidently spell every single thing out, I’m saying Rose stopping Finn was not a case of choosing lives over military gain because she condemned Resistance members, who are sentient beings, to death.
I laughed so long and hard at your “receipt” and had to reblog it for posterity because… how to break it to you? Tags to additions don’t show up in the main tags. They’re only relevant to my blog. The tags of my op, which you also faithfully screenshotted a few posts up, clearly show me staying out of the main and character tags. (I used #star wars because I assume it’s such a big and unfocused tag that no one really uses that to browse, but I can take it out or move it to the back so it won’t be searchable as tagged.) This is yet another case of you being mad at me for your own ignorance. Nice coloring job, though.
I really think you’re the one who should be checked for their reading comprehension skills. Especially since your argument keeps flip-flopping as you try to avoid debating what I’m saying.
Maybe use Rose critical, like you do your last jedi tag? I’m sure you’re smart, you can think of something.
And I’ll think I’ll quote what I said, since I have to evidently spell everything out for you.
She doesn’t know him, but, after all, he’s a Resistance hero, who bravely risked his life to fight against his former captors, and was quite skilled at it too, and – is that a bag?
She stuns him after pitiful excuses, like “it’s not what it looks like!”, and “i mean, i was planning on leaving, but not deserting, i swear!”. She’s heard it all before, presumably. And this Finn character – she doesn’t know him, and has no reason to trust that he was actually trying to help the Resistance.
First, it’s from the viewpoint of Rose in that moment (once again, assuming what the character would know, not the audience) and she has just spotted him trying to leave in a pod, after several other people – deserters – has also tried. He fails to explain his actions in a clear-cut manner under pressure, and thus, she would find those excuses “pitiful”, since it would seem similar to a many poor excuses thrown to her by deserters. She has also done this many times, and is understandably angry that many who had pledged themselves to the cause are now escaping like cowards when her sister had died for it.
Now, I’m sorry I did not unnecessarily bring my own personal thoughts of this moment into the paragraph, since apparently you need assurance on the moral fiber of my character. Here you go: I don’t hate Finn. I do not think his reasons for leaving were somehow sad or pathetic, but a natural extension of his loyalties and thought process seen thus far. I do not think he was trying to desert, or that he had sworn loyalty to the Resistance. I also do not think it is somehow sad that Finn failed to articulate his thoughts clearly under pressure, cause literally everyone does that. Are you happy, and will stop trying to derail my main point by making unnecessary accusations on my character now?
I’m also sorry for not remembering every minute detail of this movie that, at the time, I have no reference for while writing this considering it’s still in theaters.
Also, come on. I have explained to you in great detail why A: It is wrong to characterize Rose as violent or bad by her stunning Finn, and B: What purpose that scene did for that movie, as well as what purpose the stun gun, specifically, being included served. Yet, you persist. I just. Can’t continue repeating what I’ve been saying.
And, really, what you’re saying is false? This scene is literally the only one where A: Finn is hurt by an ally (I already explained the crash scene, just scroll up), and B: when it’s played for humor (? I don’t remember this being played for humor, but, I’ll trust you? Ugh). Hardly repeatedly.
Anyway, take his agency away, hardly. He eventually makes a new plan with Rose, of his own will. While saving Rey was noble, it was selfish and a hasty decision, as it placed his attachment to her over what she wanted to do, which was to return and help the Resistance (she didn’t even know Finn had the locator, she thought it was still with Leia) as well as place the Resistance in further danger, as it is (actually) repeatedly stated that they need Luke (who Rey was going to bring) to change the tide of the war.
And Finn and the rest of the pilot were told specifically to pull back by their leaders in that scene, as they determined it was an ultimately useless move as many pilots were being gunned down and that (say it with me now) the loss of lives was outweighing the need to take down the blaster. Finn continuing was not only disobeying orders, but putting an important member of the Resistance in danger for an, ultimately, futile quest.
You also tagged it rebelfinn in your original post which is, sorry to break it to you, a main character tag.
Thanks for the coloring compliment too, and do think it’s quite aesthetically pleasing! (Yes, I know that was sarcasm. The former was too).
And maybe insult me to my face, instead of hiding in the tags?
You’re saying the exact same content can be tagged “critical” and I wouldn’t be anti-Rose? Like, your sole basis for saying I’m anti Rose is for tag wording choice? Cool, I can change the tag.
Re empathy with Finn, you seem to be saying that Rose can’t empathize with Finn’s fear in that moment, that she has only contempt and anger for him and put an injured man through excruciating pain. With fans like these, who needs antis?
Your focus is so narrow that you are unable to comprehend what I’m saying. The scene was not some force of nature that had to happen, it was in there because Rian Johnson, the writer, wanted it to be in there. By your own admission it wasn’t necessary for even the story as it currently exists, because Finn came around to helping the Resistance of his own will and didn’t have to be hurt or made unconscious. I think that was bad and unnecessary and yes, his pain was portrayed as humorous where it didn’t have to be. There was no story purpose for that and it was very, very uncomfortable for many viewers, particularly Black audiences.
I think you should look up what passive voice is. When I said Finn was repeatedly hurt for laughs I didn’t mean just him being hurt by allies, I meant things like his literal first appearance after falling into a coma being falling out of bed. Like, holy goalpost moving, Batman.
Umm after Rose stopped Finn the cannon blasted a hole in the Resistance’s defenses and they were sitting ducks. Maybe Finn wasn’t acting out of hatred like Rose said, maybe he wanted to save lives? Or something? The dichotomy you posited doesn’t really work for that scene.
I tagged it rebelfinn because it’s about Finn, lmao. Those who don’t want to see Rose-critical content in the Finn tag can filter #anti rose tico and #rose tico critical. See how that works? But, you know, nice job wanting to drive Finn content out of the Finn tags. That makes a whole lot of sense.
How the hell does mocking you in my tags constitute hiding when you’ve literally screenshotted them twice in this very thread? You seem to be as obsessed with my tags as you are with what media I consume. I meant for you to see those, so… enjoy.
This might be new to you, but two different words with two different meanings will, in fact, continue being two different words with two different meanings that will change a statement based on what word you use. Shocking, I know.
And maybe all the posts about how much of a shit character Rose is and how she perpetuates violence and abuses Finn gives off the impression that you’re anti Rose? :/.
And how about your goalpost moving, Batman? First we got “you’re racist”. Then we got “you hold Finn in contempt”. Then “Rose isn’t emphatic”. I can hardly type with all these words being shoved into my mouth.
And, I don’t know, maybe Rose doesn’t have to immediately emphasize with someone whose is, to her, a celebrity abandoning his cause when stuff starts getting bad as she is grieving for her sister that recently died for said cause? I know, I know, once again, characters will not and it is illogical for them to have the same perception and emotions about a character than an audience will.
And Finn literally tripped in some wires. My God, I’ve been missing it all along! A character tripping or otherwise being clumsy has never ever been played for humor before and certainty not in this movie too! Those times Rey blasted a hole in the hut’s wall; when the fish people’s cart was knocked over by a boulder; Hux flying into a wall; Kylo Ren utterly failing every time he tried to even lay a hand on Luke! It can’t just be a classic example of humor that has dated back from the Three Stooges days! It’s got to mean something! Something with racism, I’m sure!
Anyway, buddy, Finn tripping in some wires would mean something if A: He was solely/frequently used for humorous purposes in that manner, or like the stunning scene, which, still not sure was 100% humor, B: He was the only character used in this manner/frequency, or any other character used in this manner were POC, and C: Clumsy/Bumbling moments were defining traits or framed in a way to make him appear less competent than the other main characters. Considering none of these apply, I’m going with D: You’re overreacting.
Also a decision made out of free will ≠ cannot being influenced by other factors. I’ll give you something that was, once again, already stated in my posts, but needs to be restated for you. Finn made a decision he believed was right, and, being very determined about said cause and headstrong, wanted to do said decision, immediately, without talking to anyone about it. He was ready to leave, and when Rose started opposing him, started to leave, but faster. He wasn’t gonna sit down and listen, no way, cause he was on a time crunch. With Rose physically restraining him and putting him a position where he had to explain what he was doing, it led to said decision being debated, and alternative, more permanent solution being proposed (aka keep Rey away from danger in Resistance, to get Resistance out of danger). Finn takes to this and also modifies and ultimately proposes said new plan to Poe. Thus, he changed his mind out of his own free will, but said situation didn’t pop up until it was influenced to do so. Amazing.
And please point me to some mainstream audiences who have a problem with it? Cause’ the only people I see who do is a small portion of the already niche tumblr audience, who also happen to be fanatic finnrey shippers and thus, considering Rose kissed Finn, seem to already have a reason why they would try to hate Rose. Cause in tumblr, you can’t just dislike something! You can’t just say “this makes me uncomfortable”! You gotta have a reason that relates to social justice in some way so you also get to call your opponents nasty names and be morally justified for it!
I don’t even know why you’re debating why Finn should live and why a sacrifice he was making for a canceled mission shouldn’t happen and that Rose isn’t somehow a violent character for stopping him.
And the importance of the scene is that it is a freakin’ parallel. Poe ignores orders to stop mission to destroy important FO weapon. Many bombers die before said mission is completed. Poe encourages bomber (Paige Tico) to risk like (unknowingly on risk life part, of course) to stop said weapon. Is ultimately determined by superior officer (Leia) that the loss was not worth the gain.
In the cannon scene, Poe calls off mission to take out important FO weapon after heavy loss of fighters, determining the loss was not worth the gain. A lone fighter (Finn) ignores said orders to take out the weapon, is then stopped by Paige’s sister (Rose). Boom, done, we can all go home now.
“I keep my TLJ-critical posts out of the main tag and the character tags.’
“…Me staying out of the main and character tags…”
Guess what? Rebelfinn is a main character tag, and you don’t get to redefine what you’ve been saying this entire time to say “gotcha!” and go jerk off in your personal tags on your reblog cause your ego is so desperate for a lift that literally seeing the next post on your blog counts as an obsession now.
And you know what? Acting like you’ve got a moral highground for complaining about characters in a movie you haven’t seen is sad. And I’ll bring your lack of knowledge on this movie up as many times as you try to mock it as an irrelevant point, cause, hey, you don’t need to see a movie to review it!
Oh, looks like I’d missed this in my notes. I’m bored so lemme shoot some fish in a barrel.
I mean people might actually want to filter certain tags and, in general, ‘anti X character’ is a more common convention than ‘X character critical,’ but comprehending that requires you actually have a sense of consideration and courtesy (or any idea how tumblr works) so I won’t expect so much of you.
Idk maybe questioning writing decisions is a legit thing and Rose was shittily written because RJ is a shitty writer? 😂 If you don’t think I was not excited about Rose or Finnrose pre-tlj you might want to check my rose tico and finnrose tags, since you like stalking my blog so much.
Thanks for pointing out that TLJ has a lot of shitty humor, though I don’t remember the wires part (god, what a painful movie to get through). And guess what? Despite your attempt to gerrymander the definition, similar tropes can be racist when applied to a character of color, especially when he’s treated unseriously in general, because there is actually such a thing as a history of media and cultural context.
I’m not talking about influence, I’m talking about violence. But thanks for playing!
You also really have to learn the difference between Doylian and Watsonian viewpoints and why derailing the former with the latter is an ass move. I’m ignoring your increasingly repetitive and boring attempts at deflection until you show an inkling of this basic concept.
Maybe don’t lie and try to pretend you got here through the rebelfinn tag lol. If you think that tag was free of tlj critique post-tlj, oh honey, I have news for you. It’s also a tag Finn stans created specifically to get away from people like you who salivate at the thought of him being hurt and humiliated.
Lack of knowledge of a movie is a pretty funny thing for you to be throwing around when you didn’t even remember Finn being thrown against a wall, lol. I guess it’s just that forgettable a movie. Also thanks for confirming your main interest is in mocking and harassing me despite the fact that you could easily have stayed away from tlj critical content and tags, I guess…?
As for mainstream critique of TLJ, acknowledgement of its divisive reception among fans for various different reasons is all over the web, so your idea that it’s just a Tumblr thing has no merit. You can find these articles easily by googling.
It’s fucking disturbing, that’s what it is, the way they jump down everyone’s throats screaming that a neo-Nazi analogue is a) no such thing, b) a poor dear who isn’t responsible for any of his atrocities uwu and, scariest of all, c) justified in everything he does because it’s war, baby. The new SW fandom is like a mirror turned darkly on the state of the world.
And they obscure (often vehemently deny) that the point of Rey’s story arc is that the hero of the ST is not a white guy. She doesn’t believe it herself, she’s hinging her value to the the Resistance by her ability to bring them a white guy with Skywalker blood to save the day.
Though it can be argued that the final standoff of Crait undercuts it, Rey comes to see that she is the hero of her own story. Not Luke, and certainly not Kylo. She actually is the real protagonist (along with Finn and his butchered but parallel arc). There won’t be a bait and switch where the white guy is the real protagonist after all.
And yet, so much fan commentary says otherwise, desperately insisting that the ST is all about Kylo and Rey and Finn are supporting players in his story. It’s hard enough to see good in TLJ, but the TLJ “version” that many fans are pushing is so bad it makes Disney look incompetent, sexist, and racist. All because all half the fandom cares about is an over-dramatic white guy with flowy hair.
I don’t think the standoff on Crait undercuts that theme, since after all it was about Luke sacrificing himself–or simply disappearing, who knows–for the remnants of the Resistance, and for the new generation of heroes. The framing might have been all off but whole of TLJ was about undermining the idea that the Skywalkers are the heroes, or at least heavily questioning what the Skywalker legacy is actually about. The Skywalker men’s legacy is tarnished; to the extent anything positive exists about the legacy, like Padmé’s conviction in democracy, Leia Organa’s armed resistance, and Luke’s commitment to the Force, the inheritors to that legacy are Rey, Finn, and Poe, together with the Resistance members like Rose and Connix while Luke has failed and Kylo has fallen.
I mean am I all sorts of furious about the way it was handled, YES. It did not have to be done in a way that villified and destroyed one of the most iconic heroes of all time, and Leia’s sidelining is especially egregious. The mishandling of Finn, Rey, Rose, and Poe has been hashed out so exensively, I don’t need to repeat it here.
Nevertheless, if you look past the bungled execution to what the movie was trying to do, it is ridiculous to think the Skywalkers-by-blood are still the heroes. That’s the idea TLJ subverted, to the extent it subverted anything.
Yeah. I used to be annoyed with the fact that TLJ’s big climax was a standoff between Luke and Kylo with Rey, Finn and Poe in the background, but the more I thought about it the more clear it became that the point was that it’s not about Luke and Kylo. Luke’s speech is literally about how the future doesn’t belong to Kylo (or himself), but the new trio.
And yet, that speech is widely ignored to focus on Kylo’s feelings and Luke’s Force projection skills.
I get this notion. I really do. But just as much as it is my–and the audience as a whole–fault that we’ve decided to focus on Kylo and Luke in the 4th act despite what his speech is about, it’s Rian Johnson’s and TLJ that led everyone there. Just because the intentions MAY have been to claim the Skywalkers’ story is over, the truth is that the 4th act revolved around a petulant new Supreme Leader being very emotional, and a penitent disenchanted hero reclaiming his legend status.
We shouldn’t have to squint to realize Rey had a character arc in this movie or that Finn is a still a lead. Especially in a franchise historically for children, it should have been abundantly clear that Rey rejected Kylo’s manipulation because she realized she wasn’t nothing. It wouldn’t have been hard. An “I’m not nobody,” would have sufficed. A slightly longer “Your father didn’t think I was nobody. Finn doesn’t think I’m nobody. I don’t think I’m nobody,” would have really hit the character arc home while reminding everyone of the first movie, which largely gets ignored in this one.
We shouldn’t have to squint to see Finn’s character arc. He was framed the whole movie as being ignorant and in need of morality lessons, when that’s the LAST thing he was. He initially gets tazed for trying to save someone he loves rather than fight what he hates, only to be told by the same person at the end of the movie he’s a dummy for allegedly doing the opposite (it wasn’t the opposite, btw). So, was this Rose’s character arc the whole time, disguised as Finn needing to learn two contradicting lessons instead of her growing? I genuinely liked Finn’s interaction with Del Toro, and his decision to join something bigger than him. It was the only time I saw the agency that made him my favorite character in TFA. It’s just too bad that character arc was bookended by Rose’s nonsense instead of explored and elaborated on.
So, it’s nice to look deeper and find the “real” intention of TLJ. It makes us feel better about it, sure. But the feelings we had leaving the theater weren’t fake and uninformed. And
because they don’t reflect on the film, those are the feelings that the general audience is left with. Namely, the (second) climax of this movie was all about Kylo and Luke–this was their story.
Oh, very true. The execution was extremely badly done and the framing conflicted with the intent–and when that happens, framing will win every time. I remember Oscar saying in the Mtime interview that the script was very dense and weirdly personal for SW and he wasn’t sold on it at first. Now I see how that could also work as veiled criticism. SW isn’t some arthouse film, it’s a mass-market space opera, and its blatant simplicity was what made it work. People have been finding deeper meaning in it for decades, but the bones have been plain and accessible from the start. Johnson missed the first and basic rule–”keep it simple, stupid”–and has cost LF both money and audience goodwill as a result.
rian johnson’s assertions that kylo is meant to be seen as “relatable” and going through the trials of adolescence (despite being 30 years old and having become what he is around the age of 25), along with him labeling kylo and rey as “two halves of the protagonist”(not only erasing finn as the co-lead of the new trilogy, but insinuating that kylo is equally as sympathetic as rey) are incredibly disturbing to me because painting a violent, abusive, actually fascist white man well into his adulthood as someone that children can connect with is horrifying and the last thing we need right now given the state of things
Or: How TLJ is RotS averted far more than RotJ subverted
At
the end of The Force Awakens we watched Finn and Rey both stand up to Kylo Ren for each other, effectively saving each other and
themselves from the Master of the Knights of Ren. When Rey was knocked
out Finn took up the lightsaber; when Finn was injured, Rey woke up to
his screams and snatched the lightsaber from Ren to defend Finn and
herself.
This dynamic takes place again in the climax of The
Last Jedi, except Finn and Rey were not in the same scene like they were
during the dueling sequence in TFA. in TLJ, though kept apart until
their heartwarming reunion hug, they saved each other through the
choices they made and what each meant to the other.
The A-plot of
TLJ has been called a subversion of Return of the Jedi, for good reason.
Rey attempts to bring Kylo Ren back to the light in scenes that are
some very direct callbacks to Luke and Vader in RotJ, except
Kylo Ren, unlike Vader, refuses Rey’s plea and rises to the position of Big Bad
instead.
TLJ is only primarily a subversion of RotJ if you focus
on Rey and Ren, however. If you broaden the focus to Rey, Finn, and Ren
and the dynamics between them, it is the tragic ending of Revenge of the
Sith averted.
Kylo as a parallel for Palpatine with Rey as Anakin makes so much more sense than Kylo as the new Anakin and Rey the new Padme. SO much more sense. If we learned one thing from Snoke’s surprisingly weak role in TLJ, it’s that Kylo was the manipulator, the one pulling the strings. It took nothing for him to kill Snoke and become Supreme Leader.
Vader never came close to being Emperor or anything of the sort. He died taking down the Emperor, even with his incredible power. If Snoke thought Kylo could be his Vader-esque attack dog, he miscalculated. Snoke was less powerful and possibly less evil than Kylo. Luke’s terror looking into Ben’s mind supports it.
Kylo miscalculated too, though – he’s not as sharp as Palpatine. He thought Rey’s weakness was her parentage and desire to have an “important” place in the story, some narcissistic projecting by Kylo. Her weakness was Finn. If he had told her that joining him would save Finn, things may have played out differently. Instead, Kylo acted as another challenge in her journey back to Finn. She was unsuccessful in “turning” him, but he was unsuccessful in diverting her journey the way Palpatine did with Anakin.
Wow. I never thought of that before, but I think you’re right @diversehighfantasy. I wonder if Kylo is just not bright or, ugh, as much as I HATE to think it, is attracted to Rey in some manner that the idea of doing that was repugnant to him. It’s not as if he doesn’t know Rey is still attached to Finn. It says right in the novelization that he knows she’s thinking about him. Palps hit Anakin’s weak spot in Padme. Kylo should have realized Rey’s weak spot was Finn. The idea that he didn’t take it suggests to me that he’s either dumber than a box of dog hair, or that there was some thought of making this some sort of stupid love triangle.
@diversehighfantasy Looking at the plot objectively, it really was Kylo manipulating everything to his advantage. By reeling Rey in as he did with a sob story and bringing her to Snoke’s flagship he:
– Established personal rapport with Rey and turned her against Luke
– Physically separated her from her allies in the Resistance, isolating her further
– Gained a distraction so he could kill Snoke
– Gained an ally in the fight against the Praetorian Guards, because the Knights of Ren were all on vacation or something
– Gained a patsy to blame Snoke’s death on
– Had the perfect opportunity to exploit Rey’s psychological weakness and bring her to his side, except he chose the wrong hook like the elitist narcissist he is
– Rose to the position of Supreme Ruler
An alternative theory: Space Hugh Hefner doesn’t look that hot himself, he seems ill and in pain. It’s possible that he did not have that long to live, so maybe this was his twisted idea of a succession. Was KR scheming and ruthless enough to kill and succeed him? Or would Hux take that position instead? This is the kind of thing Hitler actually did, pitting his senior staff against each other, minus the death wish part (that came later).
Holy shit, was this what Snoke meant at the end of TFA by completing Kylo’s training? If not what JJ intended, then at least what RJ made of it? Kylo had passed the test of killing what he loved; was it time for his final test, to learn to scheme and manipulate and take power? And did Kylo actually realizethis on some level when he didn’t fire on Leia–I mean he didn’t give a shit anyway that she was spaced–that his real obstacle wasn’t to keep repeating the Han scenario, but to overcome Snoke himself?
Could this be the in-universe reason for the Knights of Ren being sent away–so that Kylo would be deprived of his greatest tactical asset and would be forced to improvise?
Maybe Snoke wasn’t as incomptent as he seemed. Maybe everything went exactly as he planned, or at least hoped.
@leg-grestrade The idea of KR being attracted to Rey makes him about eleventy times more disgusting so it might actually work for his character, although it adds a really gross taste to everything and isn’t really the SW tone. I mean, imagine if Palpatine did the “I have you now, my pretty” shit on Leia or Padmé… like… ew. One of the things I like about SW is that powerful women are allowed to have male rivals and enemies without it being creepily sexual. Jabba the Hutt was an exception and- well actually I’m fine with Rey strangling Kyle to death lol.
I think Kylo’s choosing to take an elitist tack was mostly projection as DHF said, since he was ragging on her being a “scavenger” even in TFA as though she weren’t completely comfortable with that. But it’s really disturbing to think that he might be obsessed with “pure Force babies” himself.
But yeah, if he grows any kind of smarts at all he will use Finn against her and vice versa in Episode IX. The bond between Finn and Rey has been built up for two movies, and he–and the creators–had better use it to maximum effect.
Rey is not nothing # #she was never nothing #and she has so many people #that know and care for her
IS WHAT I AM SAYING
Kylo also hasn’t witnessed these relationships firsthand. All he’s really seen is her and Finn’s friendship.
The relationship between Kylo and Rey was defined in TLJ by Rey expressing her feelings of loneliness and confusion. He’s not really telling her “you’re nothing and no one cares for you” here so much as “I know you feel lonely and that your place in this story is defined by your family, and I’m here to tell you that it doesn’t matter that you come from nothing. We are kindred spirits.”
He literally told her she was nothing asdjkl if you have to rewrite his line to make it sound better then you’re not working off the canon, just your wishful thinking. RJ himself said he was trying to undermine her confidence and use her humble origins against her.