lj-writes:
lj-writes:
I mean it’s almost as if it’s possible to keep the audience engaged for multiple movies a year! To be sure Marvel has a huge and popular ensemble cast, something the MCU capitalized on, while SW doesn’t have much beyond the Skywalkers. This may explain why LF seems intent on expanding the universe beyond this family, which is in itself a welcome move and may be working if the popularity of Enfys Nest is any indication. Maybe SW will get to a point where it has enough material to support multiple releases the way Marvel does, but it took Marvel decades so we’ll see how it works out.
@dazedclarity I think one of LF’s problems is that it’s trying to
do something like Marvel did with the MCU, but in a drastically shorter
time frame. Maybe it’s because they have the same parent company, maybe
it’s simple economics because it has to earn the money Disney invested
in it.
Jettisoning the EU and taking what
they liked piecemeal has its upsides, since God knows the EU could be a
wild wild place. (I would not have objected to Thrawn or KOTOR movies,
though.) Even at its peak I don’t think the EU was ever at Marvel levels
of popularity of relevance, and a few gems aside I doubt EU works would
have had the audience they did without the SW name.
But
yeah, EU or no EU, building a following for a large number of
characters takes time and effort and LF seems intent on doing
it in a really short time, using costly and financially risky movies as the primary vehicles at that. Maybe they’ll manage it, who knows. If anyone can
do it LF can with the SW name.
However, that’s where another time problem with the LF movies comes in: the movies are not planned far enough in advance the way Marvel movies are, resulting in things like director fiascos and extensive reshoots. It’s looking like TFA was the last trouble-free movie LF had, and I’m beginning to think TFA was all JJ and not LF.
Another issue if you ask me is that LF and Disney is hellbent on ignoring the characters that actually create buzz and have the audience talking when it comes to making content for them.
TFA?
Finn, Rey and Poe were the talking points after the movie came out and yet apart from the Poe comic we have nothing about them really. Ib4 someone goes “well Finn and Rey will have their pasts explored in the movies” because a) that’s beginning to look extremely unlikely and b) there’s nothing preventing LF from setting up a series of non-canon comics like the old Star Wars Infinities to capitalize on AU histories about all three of them. Yes, nada.
Rogue One?
Chirrut was the biggest talking point along with Baze by extension, but all of the RO crew got a good deal of attention. The result? Meager.
We have one YA novel with Chirrut and Baze. One YA novel with Jyn and one comic with Cassian and Kaytoo. Nothing at all with Bodhi. They were sitting on a gold mine here and I would argue still are, but they have their heads up their arses.
Not even mentioning TLJ because it created no buzz about anyone and only a large amount of ridicule about Ben Yolo and his refrigerator chest.
Solo?
Jury is still out, but I doubt the result will be any different as LF seems to narrowmindedly be set on making more Solo movies instead of capitalizing on the two characters that are right now the only ones in the movie that are spoken off with praise across the board: Enfys and Lando.
If LF and Disney had any sort of sense, they’d grab that buzz and get content for the two of them going. Enfys has a significant and very sad backstory that could be explored even if they don’t want to dive into her future because that might spoil any future Solo movies they have planned.
Lando is one big mystery from before meeting Han, over what he does between ANH and ESB (that’s a three year gap) and what exactly he spends time doing from taking back Cloud City about a year after RotJ until the ST era.
So not only do they try to do too much too fast with no overall plan, they constantly go against what the audience are drawn to, instead fighting it all the way in trying to force an interest for the characters that LF wants us to be interested in instead of offering the content that the audience is actually interested in.