I find that dynamic interesting in a horrible kind of way, yes. The manipulation, the way Kylo tears Rey down, uses her vulnerabilities against her, and tries to make her depend on him. I’ve discussed this before but he reminds me of my dad that way, maybe because all abusers have the same playbook in the end–insisting the people who love and accept you do not truly love you, that he is the only one who understands you and has your interests at heart, that he hurts you for your own good, that you deserve this treatment, that he is the best you are ever going to get.
The first piece of reylow content I produced was a headcanon/outline type post about Jedi Rey and convicted war criminal Ben Solo in a complicated and painful prison romance (link). If BS is as redeemed as he’s ever going to get, paying his debt to society and doing some good as a former terrorist who understands and knows the FO, would a romance between them work? It’s certainly not a straightforward and fluffy romance in my envisioning, but rather one tainted by mixed motivations and likely traumatic bonding.
In retrospect I think I gave BS way too much credit, even if the intention was to give him all the advantages I could think of. Now that I read the post over I think he’d be at best a “well actually” and “both sides” type of conversationist about the war, deceitful and revisionist in his recountings. (”Well actually we were more well-intentioned extremists…” “What about the civilians on the Death Stars? Doesn’t it say something that my idols growing up were Uncle Luke and Uncle Lando, who–from a certain point of view–were as much mass murderers as I turned out to be?”) The New Republic would never give him a public platform for fear of radicalizing others, despite repeated requests, and he would complain about freedom of speech lmao.
I also think now that Rey should be at most snookered briefly before she sees through his self-serving dishonesty and walks away for good. Tee el jay already did that story, though, so I don’t see the need to retell it. An older and more confident Rey wouldn’t even fall for BS’s bs anyway. The thought of BS being a sealion yammering away in prison is somewhat entertaining, though.
The other piece of shipping content I produced was a fan video to Blurred Lines (link). Yes, the Rape Song. I found it hilarious and horrible at the same time to work on, laughing at the whole idea of reylow as a wholesome or fluffy ship, not to mention the deplorable fandom conventions surrounding it. I did tag it #anti reylo rather than #reylo as a courtesy to shippers, especially ones who might be sexual assault survivors.
I’ve wondered since, though. Doesn’t my Blurred Lines video count as shipping material? Don’t the so-called anti-reylo edits like the “It’s not a fucking woman’s job” one (link)? Can it only be considered shipping content if it’s fluffy or at least ultimately affirming of the ship? For something like reylow, in particular, isn’t poking fun at the grossness of the whole concept also a valid part of shipping, provided everything is tagged and warned appropriately of course? In a section of the fandom that has Handmaid’s Tale AUs and Native American AUs and teacher-student AUs, why should only material that says rape is actually uhhh bad be off limits? Since when do we hold up romance as some ultimate purity of feeling, when romantic attraction can be as destructive and fucked up as any other urge we have?
So yeah. I produced reylow or “Reylo” content not in the sense that mainstream shippers do with their fake Bullshit Solo who only exists to erase and one-up Finn’s trauma. That fakeness is what makes me nauseous about the ship, not the idea of exploring these characters’ dynamics including in a romantic or sexual sense. (But as for actual sex… nah. Like you I find Adam unattractive, and the farthest I’m comfortable going is KR as a rapey incel who gets his teeth kicked in by Rey.) I enjoy poking and prodding at an abusive fictional relationship. What I hate is the lie that it’s not abusive.