I’m a firm believer in Force-sensitive Finn. However, having been let down by Star Wars before in a VERY big way, I’m trying to prepare myself for the possibility he isn’t explicitly a force user in IX. Thoughts on what his plot and character arc could look like in a satisfactory IX where his abilities are limited to what we’ve already seen? Or is there no satisfaction without Force-sensitive Finn?

The most satisfying one for me personally would be a Stormtrooper uprising because it engages the most with Finn’s background and the moral dilemma he represents. Force sensitive Finn for me is just established canon whether IX chooses to show it or not, and the only thing that keeps audiences in denial is racism (which is why it’s a good idea for IX to make it explicit, of course). What I find REALLY interesting Force-wise, personally, is not even so much Force sensitive Finn as Force immune Finn, leader of the uprising, having a showdown with Kylo Ren. But if I can’t have that I see an uprising without explicit Force sensitivity to be the next best thing.

I don’t get why people think Finn both being a military leader and having the Force is somehow strange for Star Wars. After all, we have a rather outsized example of this already.

It’s not just the combination of Force and military abilities either, but also the characters’ story positions. Finn being the “war” part of the triad gives him the position Leia should
have occupied in the OT, the character with ties to both the military
and the Force who embodies what the war is about: The human face of the
Empire’s atrocities, the survivor who chose to fight. Leia should have
been the central figure of the war and not Han’s plus-one on what
were essentially his plots and missions.

Done right Leia would have been
more like Katniss in The Hunger Games, damaged and traumatized from her
experiences, inspiring by her story and example. RO tried to shoehorn
Jynn into Katniss’s Mockingjay role except it never worked because Jynn
didn’t have the representative story. Obviously the Mockingjay figures
were Cassian and the Jedhans (Bodhi, Chirrut, Baze), but yet again SW
shied away from giving center stage to victims of wide-scale atrocities.
It shied away again with Finn in TLJ.

This refusal to have central Mockingjay figures, I believe, reflects SW’s basic ambivalence as a franchise that is more comfortable with destined saviors than with exploited and destroyed peoples saving themselves. Maybe that comes of SW being a USAmerican franchise dealing with fascism, the contradiction of a country that is fundamentally fascistic and imperialistic trying to tell itself a story of being antifascist and anti-imperialist. America can’t face the full implication of truly upending its fascist underpinnings, in fiction as in reality. Instead the brutal form of fascism is replaced by the “soft” fascism of worshipping benign supermen.

Then along comes JJ Abrams, someone in a position to know the contradictions and falsity in the story America tells about itself. He shows the New Republic’s compromise with fascism destroying it morally as well as physically, a year ahead of the 2016 election. He shows how the worship of the Skywalkers as the chosen line gave us Kylo Ren. He gives us Finn, one of the First Order’s victims, as a strong and central figure.

Finn in IX could be the character that Leia could have been–the one who ties it all together, the military plot and the Force plot, the story of war with the story of spirituality and morality. He could be the character that embodies both the evil of the First Order and the determination, on a personal, visceral level, to fight it. He could be the character that brings audiences face to face with what it means when people who are considered expendable in the quest for greatness stand up and fight back. He could solve the Star Wars dilemma and finally break the vicious cycle of destruction the galaxy far, far away has become trapped in. I certainly hope so.

(Spun off from a discussion with @fuckyeahrebelfinn [link])

Star Wars: Resistance S1E02 spoilers

This one was a nice, solid episode showing Kaz going from wanting to be a flashy hero to realizing he has to make the Colossus his home to be effective at his job. It was nice to see him doing the right thing in quiet ways that come at a personal cost.

I love how Tam good-naturedly ribs him and that she’s far too sharp to believe his admittedly terrible cover. I said before that Tam reminds me of Rey, but there’s a charming contrast in how Rey was all too eager to believe Finn’s equally terrible cover while Tam knows something’s up. It probably has something to do with Rey being a nerdy backwater hick while Tam’s been living and working at “a hive of scum and villainy.” She probably saw a thing or two being with Yeager’s crew, too. Tam and Kaz’s interactions throughout the episode felt like an extended
version of Rey and Finn repairing the Millennium Falcon.

Speaking of Yeager, Idc about his protestations about being above intrigue, the guy is Poe’s trusted contact and he’s way more deeply tapped in than he likes to let on. I wonder if his name comes from jäger?

Neeku saying he wouldn’t want to look under a Stormtrooper’s helmet had me laughing and makes me wonder if we’ll be seeing Finn at some point, especially since we’re seeing FO scenes. Speaking of which,

PHAAAASMMMMAAAAAAA I MISSED YOU, YOU HORRID BITCH

Also one of the pirates is actually in Stormtrooper armor? Probably got it off some sod they killed, but the red markings on it came across like an evil version of Finn’s blood-marked armor. This isn’t the first time we see repurposed Trooper armor in the ST timeline, see Agent Terex, and it helps give the feel of a post-war–very soon to be mid-war–world where there’s a surplus of found, bought, or “liberated” military equipment.

It appears the pilots of the Colossus aren’t just fancy sports stars but constitute its defenses as well. But why are there so few of them? Maybe wasting talent and resources in basically a blood sport isn’t the most conducive to the place’s long-term survival. Just saying.

It could be just the quality of footage I’m getting, but the animation looks terrible. The motions are generic and unconvincing, and the contrast between the 3D models and drawn figures is jarring. It’s a far cry from TCW and Rebels and has a low-budget look. It’s not unwatchable, though, and the stories and character are keeping me interested so far.

re your Poe meta post: EXCUSE YOU???? WHO GAVE YOU THE FREAKING RIGHT? You broke my heart and sent me in a Dameron family feels spiral, are you happy? I hope you are, because now I am going to retaliate with fics. You asked for this. This is entirely your doing. [insert mandatory Soraya meme-jpg]

(Does this mean I’m going to be killed in Spanish?)

Oh no! Not Familia Dameron fics! That is by no means exactly the response I wanted, have mercy please!!

The terrible meta in question

Reminder that Poe Dameron Bey was born in wartime, two years after the Battle of Yavin and two years before the Battle of Endor. He was born in a time of uncertainty and ongoing violence. I like to think of him as a “hope baby” whose parents finally had the courage to conceive him (or were just carried away lol) after the Rebels struck a blow against the Empire. It finally looked like there might be a future worth raising children in.

One year after Poe was born came the setback in Hoth when the Rebels were scattered, a General of the Rebellion was captured, and the one living Jedi was badly injured. A year after that came news that the Empire was building a second Death Star, which if completed meant the total subjugation of the galaxy. Poe spent his earliest years in a time of constant turmoil when his lives and the lives of his caregivers could be snuffed out at any moment, whether by a weapon of mass destruction or in battle or execution.

It is canon that Poe rarely saw his parents during these first two years of his life, the first years that are so crucial to forming lasting attachments. These were the final years of the war when both his parents were away risking their lives in a fight against what seemed an unstoppable evil. Any call could bring the news that one or both of them were dead. Any knock on the door could be Imperial Security forces come to take Poe and his caregivers into custody as family members of Rebels.

The maternal grandfather who raised Poe no doubt shielded the child from these realities as best he could, but children know. They can tell when their caregivers are sad and anxious. They also miss their parents something fierce and ask, with or without words, when are they coming? Are they thinking of me? Do they love me? Poe would have grown used to the long partings because he had to, but his face would have brightened at any chirp of the comm, any knock at the door even as his grandfather’s heart sank.

Leaving a young child for even a day can be hard; what was it like for Poe and his parents to be separated for months at a time, never knowing when they would see each other again? How many hours did Poe’s grandfather spend hunched over the communicator while little Poe slept in the next room, trying to guess where his daughter and son-in-law might be deployed, wondering if he would be told in time if the unthinkable happened, wondering if he would have to grab Poe and run if things turned bad? Where could they even run to in a galaxy bent on their annihilation?

Poe and tens of thousands of other children like him endured countless hours of fear and loss along with their families. He knew what it was like to feel a love like cold burn in the absence of the people he yearned for. He knew what it was to have his young heart pressed and shaped by the unending weight of fear. He was one of the lucky ones who got his joyous reunion with his parents, but the effect of those early years would never have gone away.

Six years later, just at the blossoming of his promised happily-ever-after, came the shattering loss that even war had not managed to wreak. Standing with his father to bury his mother, eight-year-old Poe would have been reminded that peace guarantees nothing and that life can be as uncertain and as cruel as war.

He carried forward these lessons, the terrors and the joys, the ache of sorrow that would never go away, to honor his parents’ courage and to make sure other children would not endure what he had. He could not take away tragedy and loss, that was way above his paygrade anyway. What he could do was choose how to react, and he took to the skies after his mother, he fought with principle and honor like his father, and he chose courage and caring like his grandfather.

His parents and grandfather were with him when he abandoned the certainty of military life to wade into a murky fight against a shadowy threat. They were with him when he fought battle after battle, not only in the cold of space but in the thickets of intrigue and espionage. They were with him when he refused to abandon a village doomed to slaughter. They were with him when he was tied to a torture chair, when he was having his mind turned inside out in such agony that he shattered a droid’s audio receptacle with his screams.

The child born in war grew to be a warrior in another, the one thing his parents sacrificed so much in the hopes of preventing. None of them could help the outbreak of this second war that was all their nightmares come to life, but they could choose what they did in response to it. Poe chose to fight, to protect, to sacrifice. The power of choice, after all, was the only power he had in a universe without guarantees.

I feel like reylo won’t happen because it won’t be shocking to the audience. Everyone seems to be expecting Kylo to pull off a redemption, to make out with Rey, to get his happy ending. It would be more shocking to them if Kylo didn’t get his undeserved redemption, if Finn, Poe, Rose, or anyone else got with Rey, and if Kylo either simply died or got locked in prison.

We live in a world where white men are given infinite benefits of the doubt, where white mass shooters are taken safely into custody while innocent Black people are shot by police. SW is a franchise that has the precedent of Vader as a war criminal and mass murderer who was “redeemed,” as Kylostans love to remind us. Everyone and their grandmother can see a Kylo Ren redemption coming, which is exactly the expectation that both JJ and, rather redundantly, RJ set up and then fucking wrecked. The shock was not that the power-hungry murderer-torturer-genocidaire went on being exactly those things, but that the nice Skywalker boy refused the redemption that was handed to him on a silver platter. Twice. It’s the same thing with romance: we expect a white guy to be the romantic hero and hence we get reylow and the strenuous insistence that somehow Kylo Ren is the male lead of the franchise against the evidence of everything that actually happened in the movies.

Reylow and Bendemption are not unexpected in any sense. They are in fact everything that global pop culture has primed audiences to expect. That’s why fandom is the way it is. The true subversion would be to show the white fascist murderer be held accountable for his actions and to make it clear that he is not, in fact, entitled to the forgiveness, love, and emotional labor of the people he hurt over and over and never actually cared for. Large sections of the audience will predictably melt down if that is the endgame. Now that’s actually subversive and unexpected.

JJ is missing out if IX doesn’t have a Stormtrooper rebellion. If JJ could combine elements of Finn trying to free the troopers and also using an SW version of an Underground Railroad, as well as emphasizing Finn’s foil dynamics with Kylo, his arc could be the bloody best.

I think it’s become all but imperative for anything like a realistic Resistance victory after Johnson killed off all but a dozen of the Resistance in TLJ. The Resistance is toast if they can’t shave off the FO’s numerical advantage. It would give Finn a meaningful plot that isn’t just busywork, would bring his and Kylo’s enmity to a head (you thought Kylo hated Finn in TFA? Wait until Finn dissolves his little wannabe Empire from under his feet), would bring the series full circle from the enslavement of the Clones, would give the culturally iconic imagery of the Stormtroopers a whole new and positive meaning, making for something actually subversive and new, AND would be excellent fodder for post-IX shows and comics. Honestly it would be a giant missed opportunity on so many levels if they passed on a Trooper uprising.

I fear something terrible has happened.

– Star Wars Episode IV: A New Hope (1977)

Why Kylo Ren is a Christian hero and Finn is not

Along with the more visible reasons, one possible motivation for the insistence that Kylo Ren is the hero of the saga may be a Christian attitude
toward morality and evil. In areas where Christianity is wielded as a tool of cultural dominance, the Christian teaching of redemption and forgiveness has frequently been twisted into cheap grace–the idea that you can be forgiven for anything if you’re sorry enough, and what’s more, you don’t have to be held accountable or change in any meaningful way.

Another factor may be the
contrast between the Christian and Jewish concepts of evil that @jewishcomeradebot talked
about: Evil tends to be an otherworldly, demonic thing in Christianity but is an
all too human phenomenon in Judaism, and Ren’s character in TFA is an example of the latter (link, current link to full post).

Take these together and, for
large portions of a Christian/Christianized audience, someone who
actually feels sorry or conflicted can’t be truly evil because they are too
human and still redeemable. Since Kylo Ren is obviously human and feels conflict about his actions he is just a “sorry” away from a get out of jail free card and the hero slot. It doesn’t hurt that he’s an able-bodied white cis man, either.

In contrast, Finn in TFA is a terrible Christian hero, at least if we look through the lens of cheap grace and Christianity as cultural dominance. He isn’t shown feeling enough conflict for acts
like killing and lying. He isn’t torn up about his fundamentally
shameful and sinful nature like a good Christian redemptive hero
should be. When he does speak to Rey about the shame he unfairly felt from his
abuse it’s in the past tense, though of course the kind of treatment he has suffered will reverberate for a while yet.

As I discussed in a meta arguing Finn stands for the Balance in the Force (link), Finn does not beat himself up even for his more morally complex acts, either. He fights and kills Stormtroopers
in self-defense and the defense of others, but makes no soliloquies about
how he is a monster destined to kill. He makes things right after
lying to Rey by coming clean to her in a confession that obviously cost
him a great deal, and his conscience is clear. He doesn’t even pretend to be sorry
about misleading the Resistance so he can get to Rey, but he makes up for it by handing them a huge victory. He’s an actually
upright if complicated man who acts on his own moral code, and
he doesn’t feel the need for redemption or salvation.

Finn’s uncompromising dignity, his utter rightness with himself, may be
one of the few unforgivable sins in the kind of Christian framework I described.
Mass murder and genocide can be forgiven if you’re sorry enough, but
failing to suffer from your own sinful nature and not needing a lord and
savior? That’s a bridge too far in some people’s eyes. A
man like that is too free and independent, and cannot be controlled by shame or threats. The
antipathy for this kind of independence can interact in toxic ways with
racism and antiblackness as well, because Finn in Earth terms happens to
be from a group that society says are lesser and should be fundamentally ashamed of themselves. 

Of course there is a great deal of racism at play in the fact that large sections of fandom see a mass murderer and patricide as the anointed hero of the galaxy, while at the same time dismissing a conscientious and brave hero as either a violent monster or a minor character of no importance. In addition, however, there may be a cultural divide in that Kylo Ren comes in a more familiar mold to many members of the audience–that of the (white) redemptive hero who can get away with literally anything, for whom grace is so cheap as to be free. Finn in TFA, on the other hand, is something altogether different and, in the eyes of many, worse: Someone who is at peace with himself where he has no business being. Perhaps it is no surprise, though no less sad, that the sequel felt the need to violently punish and mock Finn for the “sin” of his pride.