Reminder that Poe Dameron Bey was born in wartime, two years after the Battle of Yavin and two years before the Battle of Endor. He was born in a time of uncertainty and ongoing violence. I like to think of him as a “hope baby” whose parents finally had the courage to conceive him (or were just carried away lol) after the Rebels struck a blow against the Empire. It finally looked like there might be a future worth raising children in.

One year after Poe was born came the setback in Hoth when the Rebels were scattered, a General of the Rebellion was captured, and the one living Jedi was badly injured. A year after that came news that the Empire was building a second Death Star, which if completed meant the total subjugation of the galaxy. Poe spent his earliest years in a time of constant turmoil when his lives and the lives of his caregivers could be snuffed out at any moment, whether by a weapon of mass destruction or in battle or execution.

It is canon that Poe rarely saw his parents during these first two years of his life, the first years that are so crucial to forming lasting attachments. These were the final years of the war when both his parents were away risking their lives in a fight against what seemed an unstoppable evil. Any call could bring the news that one or both of them were dead. Any knock on the door could be Imperial Security forces come to take Poe and his caregivers into custody as family members of Rebels.

The maternal grandfather who raised Poe no doubt shielded the child from these realities as best he could, but children know. They can tell when their caregivers are sad and anxious. They also miss their parents something fierce and ask, with or without words, when are they coming? Are they thinking of me? Do they love me? Poe would have grown used to the long partings because he had to, but his face would have brightened at any chirp of the comm, any knock at the door even as his grandfather’s heart sank.

Leaving a young child for even a day can be hard; what was it like for Poe and his parents to be separated for months at a time, never knowing when they would see each other again? How many hours did Poe’s grandfather spend hunched over the communicator while little Poe slept in the next room, trying to guess where his daughter and son-in-law might be deployed, wondering if he would be told in time if the unthinkable happened, wondering if he would have to grab Poe and run if things turned bad? Where could they even run to in a galaxy bent on their annihilation?

Poe and tens of thousands of other children like him endured countless hours of fear and loss along with their families. He knew what it was like to feel a love like cold burn in the absence of the people he yearned for. He knew what it was to have his young heart pressed and shaped by the unending weight of fear. He was one of the lucky ones who got his joyous reunion with his parents, but the effect of those early years would never have gone away.

Six years later, just at the blossoming of his promised happily-ever-after, came the shattering loss that even war had not managed to wreak. Standing with his father to bury his mother, eight-year-old Poe would have been reminded that peace guarantees nothing and that life can be as uncertain and as cruel as war.

He carried forward these lessons, the terrors and the joys, the ache of sorrow that would never go away, to honor his parents’ courage and to make sure other children would not endure what he had. He could not take away tragedy and loss, that was way above his paygrade anyway. What he could do was choose how to react, and he took to the skies after his mother, he fought with principle and honor like his father, and he chose courage and caring like his grandfather.

His parents and grandfather were with him when he abandoned the certainty of military life to wade into a murky fight against a shadowy threat. They were with him when he fought battle after battle, not only in the cold of space but in the thickets of intrigue and espionage. They were with him when he refused to abandon a village doomed to slaughter. They were with him when he was tied to a torture chair, when he was having his mind turned inside out in such agony that he shattered a droid’s audio receptacle with his screams.

The child born in war grew to be a warrior in another, the one thing his parents sacrificed so much in the hopes of preventing. None of them could help the outbreak of this second war that was all their nightmares come to life, but they could choose what they did in response to it. Poe chose to fight, to protect, to sacrifice. The power of choice, after all, was the only power he had in a universe without guarantees.

Holy shit, the Chinese release of TFA cut out Finn’s actual SCENES?! I can’t even imagine, he was so central to tat movie. Can you recall missing scenes or how the story changed as a result?

tasteslikecoconutandmetal:

I’m not sure if all versions released in China cut out Finn scenes, but I lived in a VERY mono-ethnic city (over 99% Han Chinese), and they were very proudly anti-black, so I’m not surprised that that province cut out a lot of his scenes/lines.

The scenes they cut were ones where he mainly appeared alone, as well as scenes where they would cut out some of his lines to make him appear less important. I also don’t remember seeing him hug Rey when he helps rescue her towards the end. I mostly remember that it left me feeling confused. Like, I could tell that the movie was missing something, that something had been edited. It wasn’t until I downloaded a Korean (? I think?) bootleg version of the movie that I was able to confirm that a lot of Finn’s scenes had been cut.

Again, I wish I could say that I was surprised, but I saw a lot of racist, anti-black shit going on in China that really saddened/disturbed me, as well as a creepy fetish and preoccupation with white people. There were restaurants with black face pictures on the walls. A black friend of mine was deported because his presence was “too frightening” (he was 6′5″ and 300 lbs which apparently made him a threat to public safety). Black people and even non-black Africans were banned from certain jobs (such as teaching English). My roommate (who was African American) was constantly belittled and called “dirty” by Chinese people. One time a woman grabbed my roommate’s arm and pointed out her skin to her child saying, “see? they don’t wash. that’s why their skin is black.” Honestly, I could go on and on with stories like that, stories of my black friends’ experiences in China, but there are too many to list here.

I’m white, so my experience in China was vastly different from that of my roommate’s or my other black friends. On the whole, I had a lot of fun in China and I met a lot of wonderful people, and I don’t want anyone reading this to think that I hate Chinese people or think they’re all racist. But there IS a prevalent culture of anti-blackness in China, at least in some of the smaller cities, that goes unchecked because there is no impetus for them to change their ways. In the West, even though we have our own myriad issues with racism, we have a system that (at least in theory) holds us accountable for our racist words and actions. That system doesn’t exist in China.

Ugh I can see it all too well. It’s in line with what I see in Korea as well, although we’ve learned to be a little sneakier about it and at least we didn’t cut Finn’s scenes (today in the realm of low bars…) Antiblackness in Asia is really serious–like in India there were actual mobs against African residents and a hit movie had villains in blackface–and it needs to be discussed more.

Do you wish that deleted TFA scene of Finn and the villagers on Jakku made it in the movie?

jewishcomeradebot:

themandalorianwolf:

jewishcomeradebot:

themandalorianwolf:

The scene that shows him spare a Jakku villager? Yup, I do. It’s one of my favorite scenes in SW because it actually displays the horrors of war on a ground level, something the films usually shy away from…and still do.

Hell I wish the deleted snow chase was kept in.

It shows the weaknesses of both Finn and Rey. Finn isn’t a great driver and Rey isn’t a great shot, so they switch places to take down their peruses. Its a great display of team and it shows that both characters have their strengths and weaknesses. The cut that got put out favors more on Rey’s strengths while also showing more of Finn’s weaknesses and honestly its why I still do take some issues with TFA, even though I love it.

 The deleted scenes show though that JJ really does understand Finn and Rey, so I got faith for IX to show more of the morally complexity of Finn and more of his strengths. 

I’ll be forever miffed that the scene with Finn and the villager was cut. But at least Force of Destiny made the second scene canon after a fashion.

My guess is time and some tone bull shit that Disney didn’t want to do. 

That random chase scene with Han solo’s hentai monster is pretty much the longest and pointless scene in TFA that I could honestly say it never should have made it in the film. 

I don’t agree that the hentai monster chase is pointless. For one thing it has a crucial step in the development of the relationship between Finn and Rey, a moment where she reaches for him for help and comfort as they’re faced with the rathtars.

We’re presented with Rey as someone who’s both uncomfortable with physical intimacy and who relies on no one but herself to look after her. First change in their relationship is when she gives Finn her hand after he asks her if she’s okay. Next step happens during the rathtar chase where she’s reaching for him, wordlessly asking for help and comfort. A significant change in the character and part of the build up the confession scene where she asks Finn to stay with her after he tells her the truth about himself.

The second important part about the rathtar chase is that it directly parallels Finn’s scene during the fight on Takodana where he sees Rey kidnapped. In both scenes one sees the other grabbed and carted off by a monster and in panicked fashion chases after them, even if they have no chance in hell of defeating said monster at that moment. And both parties have to get a bit creative in their rescue attempts as a result.

Seriously, Rey’s panicked “Finn!” as he’s grabbed and pulled away is a great parallel to Finn yelling “Rey!” as he rushes across the battlefield when he sees Kylo has snatched her. The deliberate mirroring in these two scenes is yet another build up of how much these two come to care for each other over very short time and it heavily underlines that Finn is as important to Rey as Rey is to Finn.

Could these points have been delivered better? Yes. And the scene is definitely overly long I agree on that. In fact, trimming it down would have delivered those points better.

But I dispute that it is pointless and I actually will defend the hentai monster chase scene’s right to exist in the movie.

Mara and I both did gifs comparing those two scenes (link, link), and the parallels were quite deliberate. For one thing, there was no earthly reason to tilt the screen so Finn would be dragged diagonally upward…

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Much like Rey was carried up a ramp by the monster who stalked and snatched her.

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The first shot was far too fast to make the point effectively, though, a complaint I have with much of the movie especially in scenes involving Finn. Like Mara said, the hentai monster wasn’t the best way to achieve story ends. It was also part of another overly long diversion. It is not one of those scenes that could have been cut without doing harm, though. If anything it should have been replaced with something better.