jewishcomeradebot:

lj-writes:

jewishcomeradebot:

“Kylo Ren doesn’t have a clear and obvious motive, that makes him badly written!”.

No sorry, Kylo does have a clear and obvious motive. He wants power and control. That was clear in TFA and TLJ only underscored it.

Listen, I’m sorry it’s not the sympathetic motive you want him to have, but that doesn’t mean it isn’t there.

I’m really flabbergasted at even Kylo’s detractors being this bad at character analysis. It’s almost like white villains have to have some sympathetic reason for doing what they do and not just want to rule because they think it’s their right.

But you know what? A lot of white people are just like that. So not only is Kylo nuanced with this, he’s entirely realistic. Possibly a bit too realistic for most people.

I think a lot of it is cultural Christianity at work, coupled with the expectation that Star Wars has to be a story of redemption. I ran across a site called Catholic Moral Theology openly wringing its hands, post-TFA, that Ren’s evil did not seem to be of the sort that admitted to redemption (link). Instead of extrapolating a story that fits the character they were putting the cart before the horse, deciding SW had to be about redemption and viewing the character through that lens. Which is hilarious, because who says the ST villain has to go the same route as the OT villain? Or that the ST is still a Christian story at all? Not to mention, the comparison itself is off because we knew nothing of Vader’s motives in the OT anyway.

The above is example is blatant about its religious viewpoint but we see the same thought process all the time in fandom, with fans constantly saying SW is about redemption and straight up making shit up about the character to make him seem redeemable. I think that’s what really troubles a lot of people about Ren; it’s not that he is incomprehensible, it’s that he seems unsalvageable.

I mean, in part I think you’re right. But I see this sentiment constantly from people who don’t want, or don’t believe, that Kylo can/should be redeemed.

Like why would you want a nuanced and sympathetic reason for Kylo going evil if you (general you) think he’s meant to be – and remain – evil?

I get this line of reasoning from the “Bendemption” crowd. I don’t agree or sympathize with their view, but I understand them and their motive for wanting something else and more. But from the “Kylo is evil and please let him remain evil” group?

And it’s not that he couldn’t have had one, it’s the argument that he must have a reason beyond “wanting power and control” or he’s badly written or his portrayal is unnuanced. Kylo is anything but unnuanced – and yes he’s badly written in TLJ but everyone is so that’s hardly new – and really, why is self entitlement such a bad motivation, or considered unnuanced?

Is it sympathetic? No, not at all. Self entitled people tend to be assholes and the opposite of sympathetic, but that doesn’t make them unnuanced.

So it really by now feels like “if white Nazi doesn’t have a sympathetic reason for choosing to be a Nazi he’s a badly written character because… well, white men must have”. No, sometimes people are simply assholes because they feel they have the right to lord over everyone.

I suppose on its own this could be seen as unnuanced. I don’t think so but I can see an argument for it. But what makes it doubly interesting is that Kylo is the son of heroes, of humble and compassionate people. And yet he chooses self entitlement.

So no, I really can’t see how people can see him as unnuanced. And it really has nothing to do with wanting him redeemed, and even Christianity in this I think is only tangential. It’s feels like it’s right back to “white guy must be sympathetic or it’s bad writing”, even from the parts of the fandom who sees him as a villain.

Which is where I can’t follow anymore. Kylo Ren is unsalvagable because the story wants and needs him to be. But even the people who wants him to remain “unsalvaged” keeps going on about how he must have a motivation that would make him salvagable or he’s badly written. It just… annoys me at this point, is all.

Good point, wanting a redemption certainly doesn’t cover people who don’t want him to be redeemed. Whiteness and his heritage play into this line of thinking, definitely, and so I think does his being a young and able-bodied guy. We’ve had villains driven by powerlust before. No one asked why Palpatine wanted power, or if there was some deep rooted psychological reason why Gollum or Sauron wanted the One Ring. Even Vader in the OT did not have terribly clear motivations for his fall. Yet Gollum and Vader are considered some of the best villains of all time, while Palpatine and Sauron are some of the scariest forces of nature. That’s because the desire for power, whether it’s the Force, political power or a magical MacGuffin, has ALWAYS been considered a sufficient motivation. It’s deeply suspect that this equation changes the moment the main villain is a fuckable white guy.

jewishcomeradebot:

“Kylo Ren doesn’t have a clear and obvious motive, that makes him badly written!”.

No sorry, Kylo does have a clear and obvious motive. He wants power and control. That was clear in TFA and TLJ only underscored it.

Listen, I’m sorry it’s not the sympathetic motive you want him to have, but that doesn’t mean it isn’t there.

I’m really flabbergasted at even Kylo’s detractors being this bad at character analysis. It’s almost like white villains have to have some sympathetic reason for doing what they do and not just want to rule because they think it’s their right.

But you know what? A lot of white people are just like that. So not only is Kylo nuanced with this, he’s entirely realistic. Possibly a bit too realistic for most people.

I think a lot of it is cultural Christianity at work, coupled with the expectation that Star Wars has to be a story of redemption. I ran across a site called Catholic Moral Theology openly wringing its hands, post-TFA, that Ren’s evil did not seem to be of the sort that admitted to redemption (link). Instead of extrapolating a story that fits the character they were putting the cart before the horse, deciding SW had to be about redemption and viewing the character through that lens. Which is hilarious, because who says the ST villain has to go the same route as the OT villain? Or that the ST is still a Christian story at all? Not to mention, the comparison itself is off because we knew nothing of Vader’s motives in the OT anyway.

The above is example is blatant about its religious viewpoint but we see the same thought process all the time in fandom, with fans constantly saying SW is about redemption and straight up making shit up about the character to make him seem redeemable. I think that’s what really troubles a lot of people about Ren; it’s not that he is incomprehensible, it’s that he seems unsalvageable.

98rainbow:

dragonfoxkid:

thejusticethatissocial:

lehaaz:

GOFUNDME: SAVE OUR NAVAJO LANGUAGE

“I never learned my Navajo language and I was never inspired to learn it.  As I got older, I realized how valuable our language is to the livelihood of our Navajo Nation. ” -Dr. Shawna L. Begay

Our Navajo or Diné language is in danger of becoming extinct.  Help us create and develop the first Navajo-English educational media TV puppet show, “Diné Bí Ná’álkid Time” which means ‘The Navajo Movie Time.’  It will inspire and teach our youth basic language skills using media as a technology tool. Parents, grandparents, children and grandkids can learn to speak Navajo  fluently together within their own homes.

Long-time friends and educators, Dr. Shawna L. Begay and Charmaine Jackson have teamed up to create this new TV pilot for an all-ages audience or for anyone who wants to learn the Navajo language.  

With your support, it’ll be the first educational Navajo and English puppet show that will teach and preserve the Navajo language and culture through digital media.

After several years of extensive research on the Navajo Nation, Dr. Begay recently completed her PhD from the University of Nevada-Las Vegas with her doctorate thesis, ‘Developing A Navajo Media Guide: A Community Perspective.’ As project director, she quickly realized she was a pioneer on the topic.

“When I decided what topic to study I realized there existed very little research in Indigenous educational media, especially with our Navajo people,” stated Dr. Begay.  “As Navajo people, we have our own learning objectives and Navajo way of knowing is completely different for Euro-Western schooling.  I decided that I had to research and develop our own curriculum guide that is meant to teach Navajo through media.”

Dr. Begay and Jackson, co-writers of the show, developed the first 3-puppet characters and plan for many more. The pilot features Nanabah-a young Navajo girl, Gáh (Rabbit) and Dlǫ̀ǫ̀ (Prairie Dog) who will go on endless adventures learning about language, gardening, the environment and the importance of family values. Nanabah is fluent in Navajo and likes to teach children about life on the reservation with her animal friends and special guests.  Children who want to learn Navajo will also be an important part of the show by interacting with Nanabah, her friends and storyline.

Dr. Begay’s research concluded there exists very little research in the area of Indigenous educational media. Currently media is a very powerful tool that can be used to teach. She is cognizant of the digital age we live in and the opportunities to utilize media to revitalize the Navajo language.  

“Star Wars and Finding Nemo,” dubbed in Navajo, was a great place to start and it has garnered national exposure of our language. However, we need a show based on our own Navajo learning principals our ancestors set out for us to learn and live by. I don’t think a non-Navajo, non-Native or non-Indigenous person can do that for us, nor should they.  We, as Navajo, need to produce this show ourselves, if we are to be truly sovereign,” added Dr. Begay.

Both educators, Dr. Begay and Jackson, of Naalkid Productions have been talking about this educational language project for about the past four years and still have a long way to go to finance their dream.

“With the support of Navajo TV Anchor Colton Shone, our team of Navajo artists, filmmakers, family and friends, this video pilot is a huge step forward,” said Jackson.  “Our journey has just begun and the big next step is finding financial support to create a whole new puppet TV series.”

We aim to raise $50,000 with this project which will allow us to continue with pre-production and production aspects of making this digital media project become a reality.  We need your help to save our language by teaching Navajo to our future generations.

Pre-Production:
-Script writing for the pilot show
-Puppet Development/Creation
-Casting for puppeteers and other talent that will be on screen
-Hiring of all key cast and crew

Production:
-Locations and permits
-Rental of Studio space
-Equipment: cameras, sound, lights, etc.
-Cast and Crew budget

Despite all the notes on this post, they’re still at $13,155 of their $50,000 goal. 

Please keeping sharing and donate if you can! 

what it sits at as of 07/27/18

GoFundMe as of 09/01/2018 Currently: $35,912 of $50,000 goal